Jean-Henri d'Anglebert, Christophe Rousset's ' "Pièces de Clavecin in G major: 16. Chaconne de Phaeton" was released on its scheduled release date, August 21, 2000. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 65 in D'Anglebert: Pièces de Clavecin by Jean-Henri d'Anglebert, Christophe Rousset. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Pièces de Clavecin in G major: 16. Chaconne de Phaeton is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Pièces de Clavecin in G major: 16. Chaconne de Phaeton by Jean-Henri d'Anglebert, Christophe Rousset is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Venus y Adonis (Arr. by Alberto Miguélez Rouco), Sinfonia in F Major: II. Andante | José de Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 4 | 3B | 100 BPM | ||
| Suite No.1: La Couperin - Arr. Jean-Baptiste-Antoine Forqueray, for solo harpsichord | Antoine Forqueray, Margaret Little, Christophe Gauthier | D♭ Minor | 2 | 12A | 94 BPM | ||
| Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act III: The Witches's Dance | Henry Purcell, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Suite in G Major, RCT 6: VI. Les Sauvages | Jean-Philippe Rameau, Sophie Yates | F♯ Minor | 3 | 11A | 94 BPM | ||
| 2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Couperin, L: Suite en ré: V. Sarabande, G. 49 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Pièces de Clavecin in G major: 12. Menuet | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Suite in G Minor: IV. Seconde courante | Jean-Henri d'Anglebert, Céline Frisch | C Major | 3 | 8B | 83 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Concerto a cinque No. 8, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 2 | 11B | 83 BPM | ||
| Couperin, L: Suite en si: IV. Sarabande, G. 117 | Louis Couperin, Jean Rondeau | A Minor | 2 | 8A | 143 BPM | ||
| Introduttione II in D Major, Op. 4 no. 1: II. Allegro in D Major, Op. 4 No. 1: II. Allegro | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Jupiter, Thomas Dunford | B Minor | 1 | 10A | 68 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Couperin, L: Suite en ré: VII. Sarabande, G. 51 | Louis Couperin, Jean Rondeau | C Minor | 3 | 5A | 92 BPM |