"Aftermath" by Colin Stetson had its release date on 2018. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Colin Stetson's "Hereditary (Original Soundtrack Album)" album is number 7 out of 23. Aftermath is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aftermath by Colin Stetson to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With the Dark Hug of Time | Colin Stetson, Sarah Neufeld | F Major | 4 | 7B | 135 BPM | ||
| Don't Open It | Dan Romer | D Minor | 2 | 7A | 139 BPM | ||
| Operation Order | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Surface Wear | Murcof | B Minor | 0 | 10A | 112 BPM | ||
| Riley’s Choice | Lovett | E♭ Minor | 1 | 2A | 84 BPM | ||
| Humidity Clot | Andrew Hulshult | D♭ Major | 3 | 3B | 79 BPM | ||
| The Transported Man | The Prestige | E Major | 1 | 12B | 127 BPM | ||
| Annihilation | Ben Salisbury, Geoff Barrow | E♭ Major | 1 | 5B | 92 BPM | ||
| Migration to North | Creation VI | C Major | 1 | 8B | 134 BPM | ||
| Lighthouse Chamber | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 127 BPM | ||
| Owen | Dan Romer | D Major | 2 | 10B | 79 BPM | ||
| 2.9_7-youPOS.ape | Mac Quayle | G Major | 5 | 9B | 120 BPM | ||
| The Muybridge Clip | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| My God | Tyler Bates, Chelsea Wolfe | C Major | 1 | 8B | 82 BPM | ||
| Fear God | Lovett | D♭ Major | 7 | 3B | 104 BPM | ||
| She Won't Answer | Max Richter | B♭ Minor | 1 | 3A | 69 BPM | ||
| Luce Ferma | Stella Rose | D♭ Major | 3 | 3B | 79 BPM | ||
| Revelation. | Lustmord | C Major | 1 | 8B | 135 BPM | ||
| Requiem For Phil | Jonny Greenwood | E♭ Major | 0 | 5B | 77 BPM | ||
| Alien Loop | Mica Levi | B♭ Major | 7 | 6B | 128 BPM | ||
| To Catch a Fantasy | Jason Hill | A♭ Major | 3 | 4B | 67 BPM | ||
| Come by the Fire | Robin Carolan | D Major | 2 | 10B | 87 BPM | ||
| Classroom | Colin Stetson | G Major | 3 | 9B | 124 BPM | ||
| Malevolent Presence | Lovett | A Major | 2 | 11B | 86 BPM | ||
| Manipulated Living | Michael Andrews | F Minor | 3 | 4A | 119 BPM |