Charlie Allen's 'Cops on the Subway' had a release date set for July 3, 2020. Cops on the Subway is explicit and may not be suitable for children. With the duration being about 4:10, this song is close to the average duration of a typical track. The song is number 6 out of 8 in Everyone's Coming Up Together by Charlie Allen. Based on our statistics, Cops on the Subway's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cops on the Subway by Charlie Allen is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cops on the Subway | Charlie Allen | G Major | 5 | 9B | 140 BPM | ||
| He Won't Knock | Ezra Vine | A♭ Major | 4 | 4B | 168 BPM | ||
| Sleeping Helps | Charlie Allen | G Major | 3 | 9B | 125 BPM | ||
| New Start | Weary Friend | E♭ Major | 2 | 5B | 175 BPM | ||
| North And South | Hey Marseilles | B Minor | 4 | 10A | 119 BPM | ||
| Then OK | Julia Nunes | E♭ Major | 6 | 5B | 90 BPM | ||
| Blue Blue Blue | Mike Slap | C Major | 4 | 8B | 106 BPM | ||
| Don't Ask Me Why | Great Caesar | G Major | 6 | 9B | 82 BPM | ||
| Normal World | Charlie Allen | G Minor | 6 | 6A | 126 BPM | ||
| Michigan and Again | The Accidentals | D Major | 6 | 10B | 190 BPM | ||
| Bremen | PigPen Theatre Co. | E♭ Major | 7 | 5B | 146 BPM | ||
| Alright, Alright | Havelin | D♭ Major | 5 | 3B | 150 BPM | ||
| Man | Charlie Allen | A Major | 3 | 11B | 126 BPM | ||
| The Anthem of Mr. Dark | The Arcadian Wild | D Major | 5 | 10B | 125 BPM | ||
| Silver Light | Nathan Colberg | F Major | 3 | 7B | 145 BPM | ||
| Bleeding out Slow | Corey Kilgannon | C Major | 1 | 8B | 76 BPM | ||
| Way It Used to Be | Michael Lee Brown | D Major | 6 | 10B | 125 BPM | ||
| Lonely Neighbor | Oh Honey | B Major | 4 | 1B | 81 BPM | ||
| I Know | Motherfolk | A♭ Major | 5 | 4B | 88 BPM | ||
| Floors | Jake Mirador | E Major | 7 | 12B | 145 BPM | ||
| Left of Your Joy | David Wimbish & The Collection | A♭ Major | 0 | 4B | 140 BPM | ||
| Blue Healer | Birdtalker | E Major | 5 | 12B | 144 BPM | ||
| Best Friend for Hire | Anthony Amorim | G Major | 2 | 9B | 124 BPM | ||
| Threshing Floor | The Collection | B♭ Major | 2 | 6B | 165 BPM | ||
| Weight in Gold | Hullabahoos | E♭ Major | 3 | 5B | 124 BPM |