Sharon-Elizabeth Ellis, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites's ' "Ride! Ride!, Act I: Sweet William and Gingerbread Animals (Audrey, Eel Seller, Bonnet Seller, Coal Seller, Nutseller, Blind Woman, Children, Prostitutes, Gin Seller)" was released on its scheduled release date, February 1, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Thwaites: Ride! Ride!". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Ride! Ride!, Act I: Sweet William and Gingerbread Animals (Audrey, Eel Seller, Bonnet Seller, Coal Seller, Nutseller, Blind Woman, Children, Prostitutes, Gin Seller)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ride! Ride!, Act I: Sweet William and Gingerbread Animals (Audrey, Eel Seller, Bonnet Seller, Coal Seller, Nutseller, Blind Woman, Children, Prostitutes, Gin Seller) by Sharon-Elizabeth Ellis, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
| Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
| Sous le dome epais | Elin Manahan Thomas | B Major | 3 | 1B | 74 BPM | ||
| A Safe Stronghold Our God Is Still (Ein Feste Burg) | Amici forever | E♭ Major | 2 | 5B | 119 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1bis, Mélodrame - No. 2, Couplets de Fiorella, "Au chapeau, je porte une aigrette" (Fiorella, Choeur) | Jacques Offenbach, John Eliot Gardiner - Choeurs De L'Opéra National De Lyon - Orch Nat Opéra De Lyon - Ghyslaine Raphanel, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM | ||
| Love's Philosophy, Op. 3, No. 1 | Roger Quilter, Kathryn Rudge, James Baillieu | A Major | 2 | 11B | 86 BPM | ||
| Lohengrin, Act I Scene 2: Einsam in trüben Tagen "Elsa's Dream" | Richard Wagner, Gundula Janowitz, Karl Ridderbusch, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 4 | 10B | 103 BPM | ||
| Coalhouse's Soliloquy | Joshua Henry | G Minor | 4 | 6A | 83 BPM | ||
| I Wish I Was In Dixie's Land | Alan Baker, Lawrence Skrobacs | C Major | 3 | 8B | 101 BPM | ||
| Candide / Act I: 2. Life Is Happiness Indeed | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Major | 2 | 9B | 120 BPM | ||
| Tendrement | Erik Satie, Measha Brueggergosman, William Bolcom | C Minor | 0 | 5A | 141 BPM | ||
| Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | ||
| 6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 84 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 138 BPM | ||
| Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 6 The Duck Is Caught | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | A♭ Major | 1 | 4B | 162 BPM | ||
| Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
| Magical Lasso | Janos Kurucz, Janet Devenish, Mary Millar, Andrew Lloyd Webber, Phantom Of The Opera Original London Cast | D♭ Major | 2 | 3B | 93 BPM | ||
| Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| 20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM | ||
| Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |