Rie Nakahara's ' "死ぬほど逢いたい" was released on its scheduled release date, 1978. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rie Nakahara's "GOLDEN☆BEST / 中原理恵 Singles" album is number 10 out of 18. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 死ぬほど逢いたい is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 死ぬほど逢いたい by Rie Nakahara to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夏色のナンシー | Yu Hayami | D♭ Major | 8 | 3B | 147 BPM | ||
| 若草の髪かざり | Cherish | E Minor | 5 | 9A | 74 BPM | ||
| 黄色いリボン | Junko Sakurada | F Major | 6 | 7B | 143 BPM | ||
| 25時 | Saki Kubota | G Minor | 6 | 6A | 112 BPM | ||
| 逃避行 | Yoko Asou | A♭ Major | 4 | 4B | 145 BPM | ||
| てぃーんず ぶるーす | Shinji Harada | D Major | 5 | 10B | 124 BPM | ||
| くるみ割り人形 | Hitomi Ishikawa | A Major | 6 | 11B | 140 BPM | ||
| 死ぬほど逢いたい | Rie Nakahara | G Minor | 5 | 6A | 100 BPM | ||
| ひとかけらの純情 | Saori Minami | F Major | 3 | 7B | 119 BPM | ||
| 天使のウィンク | Ami Ozaki | B♭ Major | 6 | 6B | 144 BPM | ||
| 夢飛行 | Saki Kubota | C Minor | 7 | 5A | 118 BPM | ||
| わたしの青い鳥 | Junko Sakurada | A Major | 5 | 11B | 131 BPM | ||
| あなた - Single Version; 2018 Remaster | Akiko Kosaka | D♭ Major | 5 | 3B | 115 BPM | ||
| 男の子女の子 | Hiromi Go | B Minor | 6 | 10A | 123 BPM | ||
| ホールドミータイト | Machiko Watanabe | A Minor | 6 | 8A | 119 BPM | ||
| 白い小鳩 - 2011 Remaster | 朱里エイコ | B♭ Minor | 7 | 3A | 124 BPM | ||
| 初恋のメロディー | Asami Kobayashi | A♭ Major | 3 | 4B | 104 BPM | ||
| 色づく街 | Saori Minami | G Minor | 4 | 6A | 81 BPM | ||
| 涙の茉莉花 LOVE | 河合その子 | D♭ Minor | 8 | 12A | 122 BPM | ||
| 夜明けの停車場 | 石橋正次 | G Minor | 4 | 6A | 99 BPM | ||
| 夜と朝のあいだに | Peter | A Minor | 2 | 8A | 111 BPM | ||
| 九月の色 | Saki Kubota | C Minor | 7 | 5A | 124 BPM | ||
| わたし祈ってます | 敏いとうとハッピー&ブルー | C Minor | 6 | 5A | 201 BPM | ||
| おもいで酒 | Sachiko Kobayashi | F Minor | 3 | 4A | 144 BPM | ||
| 冬が来る前に | Kami Fusen | C Major | 7 | 8B | 89 BPM |