Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra's ' "Recomposed: Vivaldi - The Four Seasons: Autumn 2" was released on its scheduled release date, March 22, 2024. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Richter: Recomposed: Vivaldi's Four Seasons". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Recomposed: Vivaldi - The Four Seasons: Autumn 2 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Recomposed: Vivaldi - The Four Seasons: Autumn 2 by Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Next Time Mamasita | World Of Woe | G Major | 2 | 9B | 110 BPM | ||
| Pärt: Summa | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Minor | 2 | 6A | 105 BPM | ||
| Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
| These Words… | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 0 | 6A | 71 BPM | ||
| Mavra, K39: Chanson russe. Russian Maiden's Song (Arr. Markevitch for Cello & Piano) | Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
| Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Anastasia Kobekina, Azul Lima | F♯ Major | 2 | 2B | 142 BPM | ||
| Music for a While | Marcelo Nisinman, Henry Purcell, Romina Basso, Alberto Mesirca, Zoran Markoviç, Daniel Rowland, Natacha Kudritskaya, Diana Ketler | C Minor | 1 | 5A | 90 BPM | ||
| Pärt: Darf ich... | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | F♯ Minor | 2 | 11A | 71 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Quartet No. 6 in D Minor, (Op. 5 No. 3) M.S.33: II. Moderato | Niccolò Paganini, Daniel Rowland, Maja Bogdanovic, Alberto Mesirca, Razvan Popovici | A Minor | 1 | 8A | 157 BPM | ||
| Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | D♭ Major | 0 | 3B | 100 BPM | ||
| Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
| Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
| The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | ||
| Andrey’s Violin (for Violin and Piano) | Isidora Zebeljan, Daniel Rowland, Žebeljan Orchestra, Nino Gvetadze, David Cohen | E Minor | 1 | 9A | 87 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | D♭ Major | 0 | 3B | 100 BPM | ||
| Concerto for Viola & Orchestra: II. Andante | Philip Sawyers, Daniel Rowland, Kenneth Woods, English Symphony Orchestra | C Major | 0 | 8B | 145 BPM | ||
| Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Les enfants terribles - Arr. for Piano duet: III. The Somnambulist | Philip Glass, Katia Labèque, Marielle Labèque | D Minor | 0 | 7A | 121 BPM | ||
| Hombre Tango | Marcelo Nisinman, Alberto Mesirca, Zoran Markoviç, Daniel Rowland, Natacha Kudritskaya, Romina Basso, Diana Ketler | F Major | 0 | 7B | 73 BPM | ||
| Sarabande (for Piano Trio) | Isidora Zebeljan, Daniel Rowland, Nino Gvetadze, Maja Bogdanovic, David Cohen, Žebeljan Orchestra | G Major | 1 | 9B | 109 BPM |