The Rake's Progress, Act II Scene 2: Trio. Could It then… (Anne, Tom, Baba) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act II Scene 2: Trio. Could It then… (Anne, Tom, Baba)" was released on its scheduled release date, May 26, 2009. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Rake's Progress, Act II Scene 2: Trio. Could It then… (Anne, Tom, Baba)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act II Scene 2: Trio. Could It then… (Anne, Tom, Baba) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act II Scene 2: Trio. Could It then… (Anne, Tom, Baba) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	B♭ Minor	0	3A	111 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	A♭ Minor	3	1A	104 BPM
Nocturnes, CD 98: II. Fêtes	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	A Major	2	11B	79 BPM
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Ritual Action of the Ancestors	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	108 BPM
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Scheherazade: Calm at Sea	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Major	2	12B	84 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	A♭ Major	0	4B	136 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	100 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	G Minor	2	6A	94 BPM
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo	Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn	A Minor	2	8A	145 BPM
Symphony No. 1 in G Minor, Op. 13, TH 24, "Winter Daydreams": II. Adagio cantabile ma non tanto, "Land of Desolation, Land of Mist	Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra	B Minor	2	10A	139 BPM
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth	Igor Stravinsky, Teodor Currentzis, musicAeterna	G Major	5	9B	89 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	F Major	3	7B	164 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	F Major	0	7B	77 BPM
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	C Minor	0	5A	83 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Symphony No. 2 in D Major, Op. 43: I. Allegretto	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	D Major	1	10B	117 BPM
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	1	7B	83 BPM
Tristan und Isolde, Act I: Prelude	Richard Wagner, Staatskapelle Dresden, Carlos Kleiber	A Major	1	11B	82 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam	Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra	F Major	1	7B	82 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM