"Das Echo von New Orleans: Canon" by Farrell VernonIJan Grimes had its release date on December 15, 2007. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "The Forgotten Saxophone: New Music For The Sopranino". In this album, this song's track order is #15. Based on our statistics, Das Echo von New Orleans: Canon's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Echo von New Orleans: Canon by Farrell VernonIJan Grimes having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Seed and The Sower | Ryuichi Sakamoto | B♭ Major | 1 | 6B | 132 BPM | ||
| Missa Brevis - III. Agnus Dei | Cello Octet Amsterdam | F Major | 0 | 7B | 167 BPM | ||
| String Quartet No. 4, "Buczak": II. — | Philip Glass, Carducci String Quartet | G Minor | 0 | 6A | 73 BPM | ||
| V. Louange à l'Éternité de Jésus | Olivier Messiaen, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
| String Quartet No. 4 (Buczak): III. | Philip Glass, Kronos Quartet | A♭ Major | 0 | 4B | 88 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Citrus Calm | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| The Mist: Pt. 3 | Frans Bak, Mari Samuelsen, Hakon Samuelsen, Keld Haaning Ibsen, TrondheimSolistene | A♭ Major | 0 | 4B | 67 BPM | ||
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| 不浄 | Taku Iwasaki | D♭ Major | 6 | 3B | 82 BPM | ||
| String Quartet No. 1: Pt. II | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 86 BPM | ||
| Aubade, Op. 63: I. Lento | Lars-Erik Larsson, Marion Walker, Sara Övinge, Anders Rensvik, Kari Ravnan | C Major | 0 | 8B | 170 BPM | ||
| Trinity | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
| The White River | Jeremy Soule, The Elder Scrolls | B♭ Major | 0 | 6B | 76 BPM | ||
| Katamiya | Anne-Julie Caron | G Minor | 7 | 6A | 107 BPM | ||
| I Would Have Created a Paradise | Austin Wintory, Assassin's Creed | C Minor | 5 | 5A | 120 BPM | ||
| Every Four Minutes from Now On | Sarah Neutkens, Nederlands Saxofoon Octet | A♭ Major | 0 | 4B | 60 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| Pelléas et Mélisande, Suite, Op. 46: III. At the Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM | ||
| Little Serenade | Peter Sculthorpe, Adelaide Symphony Orchestra, Ron Spigelman | F Major | 0 | 7B | 70 BPM |