- BPM
- 104
- Key
- F Major
- Camelot
- 7B
Die Schönbrunner by Joseph Lanner, Herman Riddering, Jalmaan, OpenRCT2 Song Details
Joseph Lanner, Herman Riddering, Jalmaan, OpenRCT2's ' "Die Schönbrunner" was released on its scheduled release date, June 18, 2023. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Herman Riddering, Jalmaan, OpenRCT2's "Herman Riddering's 35er Voigt (Fairground Organ style 2)" album is number 7 out of 18. In terms of popularity, Die Schönbrunner is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of Die Schönbrunner by Joseph Lanner, Herman Riddering, Jalmaan, OpenRCT2 to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -8.889 dB
- Acousticness
- 97%
- Danceability
- 44%
- Energy
- 44%
- Instrumentalness
- 9%
- Liveness
- 38%
- Loudness
- 85%
- Speechiness
- 3%
- Valence
- 66%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Montgomery Variations: III. March | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | |
 | Bizet: Carmen, Act 3: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | |
 | Wiener Burger | Franz Lehár, Carl Michael Ziehrer, Joseph Gungl, Ion Ivanovici, Joseph Lanner, The Philharmonic Promenade Orchestra, Henry Krips | C Major | 1 | 8B | 112 BPM | |
 | Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | |
 | Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | |
 | Offenbach, Rosenthal: Gaîté parisienne: No. 8, Valse (From "Orphée aux enfers") | Jacques Offenbach, Manuel Rosenthal, Herbert von Karajan, Philharmonia Orchestra | D Major | 1 | 10B | 172 BPM | |
 | Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | |
 | Steyrische Tanze, Op. 165 | Joseph Lanner, Martin Fuchs, Catia Rung, Reinhold Rung, Gabriela Tzvetanova | A Major | 1 | 11B | 71 BPM | |
 | Giselle, ou les Wilis, Acte II : No. 11, Apparition de Giselle. | Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 4 | 5B | 117 BPM | |
 | Die Libelle, Op. 204 | Carl Michael Ziehrer, Joseph Strauss, Joseph Lanner, Walter Goldschmidt, The Graz Philharmonic Orchestra | D Major | 0 | 10B | 104 BPM | |
 | Vals del Tesoro | George Henkla | C Major | 2 | 8B | 92 BPM | |
 | Sphärenklänge, Walzer, Op. 235 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 187 BPM | |
 | Strauss Jr., J.: Im Krapfenwald'l, Op. 336 | Johann Strauss II, Wiener Philharmoniker, Rudolf Kempe | C Major | 1 | 8B | 86 BPM | |
 | Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto | Max Reger, Joseph Keilberth, Bamberg Symphony | A Major | 1 | 11B | 77 BPM | |
 | La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | |
 | Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Marilyn Horne, Leo Nucci, Samuel Ramey, Enzo Dara, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | |
 | Die Romantiker, Walzer, Op. 167 | Joseph Lanner, Daniel Barenboim, Wiener Philharmoniker | A Major | 1 | 11B | 96 BPM | |
 | Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | |
 | Grieg: Suite from Peer Gynt No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Minor | 1 | 9A | 114 BPM | |
 | Die Schönbrunner | Joseph Lanner, Herman Riddering, Jalmaan, OpenRCT2 | F Major | 4 | 7B | 104 BPM | |
| Symphony No. 4 "Autochthonous": III. Moderately fast | William Grant Still, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | |
 | Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | |
 | The Tempest, Op. 109: III. Allegretto grazioso | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | |
 | The Sleeping Beauty, Op. 66, Act III: No. 30a, Finale. Allegro brillante | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 4 | 10B | 96 BPM | |
 | La boda de Luis Alonso: "Intermedio" | Gerónimo Giménez, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo | A Major | 3 | 11B | 110 BPM |
- ISRC
- QZMEP2366401
- Label
- L-M Records/RCA Records