Roland Marais, Jonathan Dunford, Sylvia Abramowicz, Nanja Breedijk, Daphni Kokkoni's 'Suite in C Minor: IV. Le Privat - Petit Rondeau' had a release date set for August 14, 2021. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Suite in C Minor: IV. Le Privat - Petit Rondeau's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jonathan Dunford's "Le tombeau de Marin Marais" album is number 12 out of 23. On top of that, United States appears to be the country where this track was created. Suite in C Minor: IV. Le Privat - Petit Rondeau is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in C Minor: IV. Le Privat - Petit Rondeau by Roland Marais, Jonathan Dunford, Sylvia Abramowicz, Nanja Breedijk, Daphni Kokkoni to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Pièces de Viole avec la Basse Continue, Suite en do mineur: La Montigni | Antoine Forqueray, Johanna Rose, Javier Nuñez | F♯ Minor | 0 | 11A | 78 BPM | ||
| Suite in G Minor: I. Allemande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Lachrimæ antiquæ Novæ (Improvisation After the Lachrimæ or Seaven Teares by John Dowland) | Sokratis Sinopoulos, L'Achéron, François Joubert-Caillet, John Dowland | D♭ Minor | 1 | 12A | 101 BPM | ||
| Atys, LWV 53, Act I Scenes 1 & 2: Allons, allons, accourez tous | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea, Matthew Newlin, Adrien Fournaison | F Minor | 3 | 4A | 126 BPM | ||
| La Gamme en forme de petit Opéra: I. Ut - Ré | Marin Marais, The Scale Knitters | G Minor | 2 | 6A | 96 BPM | ||
| Pièces de viole, Book 2, Suite in E Minor: No. 96, Prélude | Marin Marais, La Rêveuse, Florence Bolton, Emily Audouin, Carsten Lohff, Benjamin Perrot | E♭ Minor | 0 | 2A | 137 BPM | ||
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Quadro in G Major: I. Adagio | Johann Gottlieb Janitsch, Dorothee Oberlinger, Alfredo Bernardini, Hiro Kurosaki, Ensemble 1700 | D♭ Major | 1 | 3B | 81 BPM | ||
| Recercadas del Trattado de Glosas: Recercada terçera para violone sola | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | C Major | 0 | 8B | 55 BPM | ||
| The Secund Tuning: III. The Punckes delight | William Corkine, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Purcell: King Arthur, Z. 628, Act 5: Symphony | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | B Major | 1 | 1B | 82 BPM | ||
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM | ||
| Suite En Mi Mineur: Passacaille, II.105 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 97 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E♭ Major | 1 | 5B | 130 BPM | ||
| Suite En Mi Mineur: Courante, II.99 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 1 | 2A | 81 BPM | ||
| Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Aria V: Tempo giusto - Double | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | F♯ Minor | 4 | 11A | 132 BPM | ||
| Suite in C Minor: I. Prélude | Roland Marais, Daphni Kokkoni | D♭ Minor | 0 | 12A | 74 BPM |