Jean Françaix, Michael Reid, Roland Perrenoud, David Schneebeli's 'Divertissement: Scherzo' had a release date set for October 5, 2007. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Divertissement: Scherzo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Schneebeli, Michael Reid, Roland Perrenoud's "Ibert - Mucha - Francaix - Martinu - Tansman - Veress" album is number 10 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Divertissement: Scherzo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Divertissement: Scherzo by Jean Françaix, Michael Reid, Roland Perrenoud, David Schneebeli to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| 4 Gesänge, Op. 43: No. 2, Die Mainacht (Arr. for Clarinet and Piano by R. Sévère) | Johannes Brahms, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 68 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A Major | 2 | 11B | 75 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
| Pulcinella, K 034: VII. Vivo | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM | ||
| Love's Labour's Lost, Op. 28: 2. Soliloquy 2: Did not the heavenly rhetoric of thine eye - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 0 | 7B | 72 BPM | ||
| Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | A Major | 2 | 11B | 75 BPM | ||
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A Major | 2 | 11B | 75 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, David Shifrin, Emerson String Quartet | B Minor | 1 | 10A | 168 BPM | ||
| Neuf pièces caractéristiques: II. Amoroso | Jean Françaix, Nicolas Chalvin, Orchestre de Chambre de Lausanne | A♭ Major | 1 | 4B | 129 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | A Major | 2 | 11B | 75 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM |