- BPM
- 89
- Key
- B♭ Minor
- Camelot
- 3A
Suite No. 5 in C Minor: La Rameau by Antoine Forqueray, Michael Borgstede Song Details
Antoine Forqueray, Michael Borgstede's ' "Suite No. 5 in C Minor: La Rameau" was released on its scheduled release date, 2011. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 32 in Forqueray: Works for Harpsichord by Antoine Forqueray, Michael Borgstede. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Suite No. 5 in C Minor: La Rameau is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Suite No. 5 in C Minor: La Rameau by Antoine Forqueray, Michael Borgstede is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.303 dB
- Acousticness
- 50%
- Danceability
- 31%
- Energy
- 18%
- Instrumentalness
- 24%
- Liveness
- 11%
- Loudness
- 69%
- Speechiness
- 3%
- Valence
- 42%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Passa Galli: Passa Galli | Giovanni Battista Vitali, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | |
 | Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM | |
 | "Sonate à quatre parties" In D Major: 4. Aria | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 76 BPM | |
 | Suite in F Major: IV. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | |
 | The Spirit of Gambo | Tobias Hume, Kaori Uemura | G Major | 1 | 9B | 85 BPM | |
 | Trio Sonata in A Minor, BuxWV 254: I. Adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | |
 | Prelude in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | |
 | D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | |
 | Sonata II in G Minor, HWV 387, Op. 2 No. 2: I. Andante | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | |
 | Timon of Athen, Z. 632: Curtain Tune | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Minor | 3 | 11A | 122 BPM | |
 | First Sonata, in D Major: I. Sicilienne | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 122 BPM | |
 | Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Trattado de Glosas: Recercada sesta | Diego Ortiz, Rolf Lislevand | B Major | 1 | 1B | 141 BPM | |
 | Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | The Lessons for Solo Lyra Viol (1609): Almaine (no.1) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | G Major | 0 | 9B | 94 BPM | |
 | Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | |
| Suite in G Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | D♭ Minor | 2 | 12A | 93 BPM | |
 | Chacony in G minor Z 730 | Henry Purcell, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 106 BPM | |
 | Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | |
 | Pièce à trois violes en Ré Mineur: III. Sarabande | Antoine Forqueray, Atsushi Sakai, Christophe Rousset, Marion Martineau, Isabelle Saint-Yves | D♭ Minor | 1 | 12A | 76 BPM | |
 | Forqueray: Pieces for 3 Viols in D Major: I. (without tempo) | Antoine Forqueray, Jerome Hantai/Kaori Uemura/Alix Verzier/Pierre Hantaï | C Minor | 1 | 5A | 100 BPM | |
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM |
- ISRC
- NLY331104321
- Label
- L-M Records/RCA Records