Philip Glass, Brooklyn Rider's 'String Quartet No. 2 "Company": I.' had a release date set for March 1, 2011. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. String Quartet No. 2 "Company": I.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, String Quartet No. 2 "Company": I. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 2 "Company": I. by Philip Glass, Brooklyn Rider is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sequence (Four) for Solo Violin and String Orchestra divisi | Peter Gregson, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | D Minor | 4 | 7A | 85 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Prospectors Arrive | Jonny Greenwood | F Minor | 2 | 4A | 66 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
| Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
| Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
| Glassworks: I. Opening | Signal, Michael Riesman | E♭ Major | 0 | 5B | 138 BPM | ||
| The Spin | Greg Haines | C Minor | 2 | 5A | 130 BPM | ||
| The Water Rises | Kronos Quartet, Laurie Anderson | F Minor | 3 | 4A | 106 BPM | ||
| Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
| Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
| Una Fantasia | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | D♭ Major | 2 | 3B | 94 BPM | ||
| Son of Parasol | Lubomyr Melnyk | E♭ Minor | 0 | 2A | 111 BPM | ||
| Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
| Electric Tail Wag | VITMAY | A Minor | 2 | 8A | 174 BPM | ||
| Siciliana da Antiche Danze Ed Arie Suite III | Hanan Townshend | E♭ Major | 0 | 5B | 67 BPM | ||
| Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Flowering Jasmine | Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
| Scene 4 | Michael Galasso | G Minor | 1 | 6A | 76 BPM | ||
| G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
| Healthy Atmosphere - Original Mix | Elara Lilara | A Minor | 2 | 8A | 174 BPM | ||
| Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM |