"Blues for Seraut" by Matthew Welch had its release date on November 17, 2009. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matthew Welch's "Luminosity" album is number 1 out of 7. On top of that, United States appears to be the country where this track was created. In terms of popularity, Blues for Seraut is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blues for Seraut by Matthew Welch to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| planta | key con k | B Major | 3 | 1B | 110 BPM | ||
| Running in a Field of Flowers: III. Searing Joy | Travis Laplante, ~Nois, Nick Zoulek | A Minor | 7 | 8A | 120 BPM | ||
| Wave v | Knockoutsound4you | A Minor | 7 | 8A | 120 BPM | ||
| O ignis spiritus paracliti | Hildegard von Bingen, A Far Cry, David Krakauer | A Minor | 1 | 8A | 85 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| High Street | Matthew Welch | A Minor | 7 | 8A | 120 BPM | ||
| Old Segotia | Seán Mac Erlaine, Caoimhín Ó Raghallaigh | G Major | 2 | 9B | 114 BPM | ||
| Eco del Nevado | Grupo Riqsi Sonqo | C Minor | 3 | 5A | 84 BPM | ||
| Lazy Minimalism | Matthew Welch | E♭ Major | 3 | 5B | 116 BPM | ||
| Jewish Storyteller / Dance / Dream | Meredith Monk | D♭ Minor | 1 | 12A | 90 BPM | ||
| Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
| Between The Shoreline and the Gorse | Fohn | G Major | 3 | 9B | 109 BPM | ||
| Aguas da Amazonia: Purus River | Third Coast Percussion, Philip Glass, Constance Volk | D♭ Major | 1 | 3B | 165 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| The Radio | Matthew Welch, Daniel Neer | D♭ Minor | 2 | 12A | 91 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Adams: Grand Pianola Music: On the Dominant Divide | John Adams, London Sinfonietta | E♭ Major | 2 | 5B | 84 BPM | ||
| O Chiadain an Lo | Brighde Chaimbeul | C Major | 1 | 8B | 127 BPM | ||
| Blues for Seraut | Matthew Welch | B♭ Major | 0 | 6B | 104 BPM | ||
| Bicostal Reef | Loved Sadness | G Major | 1 | 9B | 120 BPM | ||
| From The Invisible To The Visible | Shara Worden, Nadia Sirota | C Minor | 1 | 5A | 74 BPM | ||
| Psalom | Arvo Pärt, NYYD Quartet, Paul Hillier | A Minor | 0 | 8A | 130 BPM | ||
| Wave vii | Knockoutsound4you | A Minor | 7 | 8A | 120 BPM |