But Rome and All Her Legions (Caractacus) by John Ireland, Gustav Holst, Charles Mortimer, Arthur Sullivan, Wolfgang Amadeus Mozart, Leo Dryden, Walter Slaughter, J.P. McCall, Oley Speaks, Christina Macpherson, Albert Arlen, Pat Thayer, Terry Gilkyson, George Gershwin, Beasley Smith, Edward Elgar, Arnold Bax, Hubert Parry, Peter Dawson, Sir John Barbirolli, George Byng, Harry Carruthers, Lawrance Collingwood, Walter Goehr, Sir Charles Mackerras, Clifford Greenwood, Frank Cordell, London Symphony Orchestra, Frank Cordell Orchestra Song Details

John Ireland, Gustav Holst, Charles Mortimer, Arthur Sullivan, Wolfgang Amadeus Mozart, Leo Dryden, Walter Slaughter, J.P. McCall, Oley Speaks, Christina Macpherson, Albert Arlen, Pat Thayer, Terry Gilkyson, George Gershwin, Beasley Smith, Edward Elgar, Arnold Bax, Hubert Parry, Peter Dawson, Sir John Barbirolli, George Byng, Harry Carruthers, Lawrance Collingwood, Walter Goehr, Sir Charles Mackerras, Clifford Greenwood, Frank Cordell, London Symphony Orchestra, Frank Cordell Orchestra's ' "But Rome and All Her Legions (Caractacus)" was released on its scheduled release date, August 2, 2011. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. But Rome and All Her Legions (Caractacus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Peter Dawson: Man of Song". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of But Rome and All Her Legions (Caractacus) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With But Rome and All Her Legions (Caractacus) by John Ireland, Gustav Holst, Charles Mortimer, Arthur Sullivan, Wolfgang Amadeus Mozart, Leo Dryden, Walter Slaughter, J.P. McCall, Oley Speaks, Christina Macpherson, Albert Arlen, Pat Thayer, Terry Gilkyson, George Gershwin, Beasley Smith, Edward Elgar, Arnold Bax, Hubert Parry, Peter Dawson, Sir John Barbirolli, George Byng, Harry Carruthers, Lawrance Collingwood, Walter Goehr, Sir Charles Mackerras, Clifford Greenwood, Frank Cordell, London Symphony Orchestra, Frank Cordell Orchestra having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

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