"Vingt Mélodies: No. 7, Noël d'Irlande (Arr. for String Quintet by Michael Small)" by Augusta Holmes, Piatti Quartet, Adrian Bradbury, Jessie Ann Richardson had its release date on December 5, 2025. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Vingt Mélodies: No. 7, Noël d'Irlande (Arr. for String Quintet by Michael Small)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Holmès: Noël d'Irlande and no other songs are present in the album, we classify this track as a single. In terms of popularity, Vingt Mélodies: No. 7, Noël d'Irlande (Arr. for String Quintet by Michael Small) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vingt Mélodies: No. 7, Noël d'Irlande (Arr. for String Quintet by Michael Small) by Augusta Holmes, Piatti Quartet, Adrian Bradbury, Jessie Ann Richardson to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Prière et boléro, Op. 22: I. Introduction. Prière | Jacques Offenbach, Sol Gabetta, Cappella Gabetta | D♭ Major | 1 | 3B | 172 BPM | ||
| Schwanenlied, Op. 1, No. 1 (Arr. for Violin and String Ensemble by Ellie Consta) | Fanny Mendelssohn, Esther Abrami, Her Ensemble | D Major | 2 | 10B | 110 BPM | ||
| Assai tranquillo in B Minor, MWV Q 25 | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | B Minor | 1 | 10A | 100 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| String Quartet in E Minor: III. Allegro molto | Ina Boyle, Piatti Quartet | E Minor | 2 | 9A | 69 BPM | ||
| The Music of Upstairs and Downstairs: Sweatshop | Nick Moss, Howard McGillin, Jamie Talbot, Dave Bishop, Claire McInerney, Mike Lovatt, Dave Lee, Adam Goldsmith, Lewis Osborne, Skaila Kanga, Helen Tunstall, Duncan Riddell, Simon Blendis, Richard George, Gareth Griffiths, Pieter Schoeman, Ben Buckton, Pau | E Minor | 2 | 9A | 96 BPM | ||
| Three Divertimenti for String Quartet: II. Waltz, Allegretto | Benjamin Britten, Piatti Quartet | C Major | 0 | 8B | 89 BPM | ||
| The Symphony of Everything | Zhot, Timothy James Johnson | D Minor | 2 | 7A | 80 BPM | ||
| 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Harriet Krijgh, Magda Amara | G Major | 0 | 9B | 175 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento | César Franck, Daniel Lozakovich, Mikhail Pletnev | D Major | 1 | 10B | 105 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| 3 Elegische Stücke, Op. 106: I. Elegie | Christian Sinding, Henning Kraggerud, Christian Ihle Hadland | C Minor | 0 | 5A | 97 BPM | ||
| Ponce: Estrellita (Arr. Heifetz for Violin and Piano) | Manuel Ponce, Augustin Hadelich, Orion Weiss | C Major | 3 | 8B | 100 BPM | ||
| Carmen Fantasy (After Themes by Bizet) [Version with Piano]: I. Allegro giocoso (Prélude & Habanera) | Franz Waxman, HIMARI, Chelsea Wang | D Major | 2 | 10B | 102 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Méditation in F Major, Op. 33 | Mel Bonis, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 86 BPM | ||
| Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | E Minor | 1 | 9A | 71 BPM | ||
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| Shroud: III. March | Mark-Anthony Turnage, Piatti Quartet | G Major | 0 | 9B | 73 BPM | ||
| Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
| Abbotsbury Gardens | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | D♭ Major | 0 | 3B | 64 BPM | ||
| Promenade à l'automne | Carisma | D Minor | 1 | 7A | 179 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Ponce: 2 Canciones mexicanas: No. 2, Estrellita (Arr. Heifetz for Violin and Piano) | Manuel Ponce, Vilde Frang, José Gallardo | A Minor | 3 | 8A | 84 BPM |