"Caucasian Sketches, Op. 10 (Remastered): II. In the Village - 2017 Remastered Version" by Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic, Leonard Davis, Engelbert Brenner had its release date on November 17, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Polovetsian Dances and other Russian Favorites (Remastered)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Caucasian Sketches, Op. 10 (Remastered): II. In the Village - 2017 Remastered Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Caucasian Sketches, Op. 10 (Remastered): II. In the Village - 2017 Remastered Version by Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic, Leonard Davis, Engelbert Brenner having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beni Mora, Op. 29, No. 1: II. Second Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 0 | 4B | 133 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | ||
| Caucasian Sketches, Op. 10: In the Village | Mikhail Ippolitov-Ivanov, Armenian Philharmonic Orchestra, Loris Tjeknavorian, Armen Mesrobian | F♯ Minor | 0 | 11A | 100 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 6, The Fight | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Minor | 1 | 9A | 106 BPM | ||
| 4 poèmes pour voix, violon et piano: I. Nos mains s'enlacent, nos yeux se cherchent | Mikhail Ippolitov-Ivanov, Victoria Shereshevskaya, Alexandra Soumm, Rémi Geniet, Yann Levionnois | F Minor | 1 | 4A | 80 BPM | ||
| Symphony No. 2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| Straussiana | Erich Wolfgang Korngold, John Wilson, Sinfonia Of London | B♭ Major | 2 | 6B | 153 BPM | ||
| Also sprach Zarathustra, Op. 30: VIII. Das Tanzlied – Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 106 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Quantum Flow | Jarko Vento | G Major | 3 | 9B | 121 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 106 BPM | ||
| The Red Poppy, Op. 70: Russian Sailors' Dance | Reinhold Glière, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
| Armenian Rhapsody, Op.48 | Mikhail Ippolitov-Ivanov, Bamberg Symphony, Gary Brain | E Minor | 0 | 9A | 101 BPM | ||
| Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | G Major | 3 | 9B | 102 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Caucasian Sketches: Suite No.1, Op.10: 4. Procession Of The Sardar | Mikhail Ippolitov-Ivanov, Shalom Ronly-Riklis, Tasmanian Symphony Orchestra | A Major | 1 | 11B | 99 BPM | ||
| Ravel: Boléro, M. 81: Pt. 10 | Maurice Ravel, Armin Jordan, Orchestre de la Suisse Romande | C Major | 9 | 8B | 139 BPM | ||
| Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Minor | 0 | 9A | 68 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, The Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM |