"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra had its release date on May 27, 1991. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Symphony No. 6, "The Lark Ascending", Fantasia On A Theme By Thomas Tallis, Fantasia on Greensleeves, The Wasps-Overture by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #6 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. Vaughan Williams: The Lark Ascending is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: The Lark Ascending being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
| 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
| Pavane pour une infante défunte | Maurice Ravel, Kathryn Stott | E Minor | 0 | 9A | 131 BPM | ||
| Short Ride in a Fast Machine | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | E Minor | 6 | 9A | 151 BPM | ||
| 2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| Romeo and Juliet Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | A Minor | 1 | 8A | 92 BPM | ||
| Metamorphosis (Arr. for Harp by Lavinia Meijer): I. Metamorphosis One. Moderate | Philip Glass, Lavinia Meijer | C Major | 0 | 8B | 130 BPM | ||
| A Somerset Rhapsody, Op. 21 No. 2, H. 87 | Gustav Holst, Richard Hickox, London Symphony Orchestra | B Minor | 0 | 10A | 98 BPM | ||
| Symphony No. 5 in D Major: III. Romanza: Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | D♭ Minor | 1 | 12A | 92 BPM | ||
| Violin Concerto: II. - | Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa | C Minor | 1 | 5A | 82 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
| Cantus in memoriam Benjamin Britten: Cantus in memory of Benjamin Britten | Arvo Pärt, Bergen Philharmonic Orchestra, Neeme Järvi | A Minor | 0 | 8A | 83 BPM | ||
| Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Minor | 0 | 6A | 117 BPM | ||
| I giorni: I giorni | Ludovico Einaudi, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | D Major | 1 | 10B | 141 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto | Sergei Rachmaninoff, Jenő Jandó, Budapest Symphony Orchestra, György Lehel | E Major | 0 | 12B | 115 BPM | ||
| The Planets - Suite for large orchestra, Op.32: II. Venus, the Bringer of Peace (Adagio) | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 62 BPM | ||
| The Planets - Suite for large orchestra, Op.32: I. Mars, the Bringer of War (Allegro) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 153 BPM | ||
| VI. Lullaby | Igor Stravinsky, Brussels Philharmonic, Ali Rahbari | A♭ Minor | 0 | 1A | 118 BPM | ||
| Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Chorus, BBC Symphony Orchestra | E Major | 0 | 12B | 95 BPM | ||
| Two Lyric Pieces Op. 68: II. At The Cradle: Allegretto con moto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM |