Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle Song Details

"Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife)" by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle had its release date on November 7, 1994. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Elgar: Orchestral Works by City Of Birmingham Symphony Orchestra, Sir Simon Rattle. In terms of popularity, Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.

Music Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -30.299 dB
Acousticness: 93%
Danceability: 19%
Energy: 2%
Instrumentalness: 88%
Liveness: 11%
Loudness: 50%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in G minor, Op. 26: 3. Finale (Allegro energico)	Max Bruch, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman	G Major	2	9B	93 BPM
Introit in F Major, Op. 6	Gerald Finzi, Lesley Hatfield, Royal Northern Sinfonia, Howard Griffiths	D Minor	1	7A	85 BPM
Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme"	Georges Bizet, Alexander Gibson, Scottish National Orchestra	B♭ Major	1	6B	58 BPM
Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	C Minor	0	5A	83 BPM
Adriana Lecouvreur, Act 2: Intermezzo	Francesco Cilea, Opera Australia Orchestra, Andrea Molino	F Major	0	7B	124 BPM
Symphony No. 4 in D Minor: II. Andante cantabile	Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin	B♭ Major	0	6B	63 BPM
Concerto for Horn and Orchestra, Op. 91: II. Andante	Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins	E♭ Major	0	5B	133 BPM
DANCE: III. in the middle of the fighting	Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop	A Minor	1	8A	82 BPM
Ravel: Ma mère l'Oye, M. 62: VI. Laideronnette, impératrice des pagodes	Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker	C Major	1	8B	86 BPM
Enigma Variations, Op. 36: Var. 8. Allegretto "W.N."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	0	9B	84 BPM
Massenet: Thaïs, Act 2: Méditation. Andante religioso	Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen	E Minor	1	9A	94 BPM
Adagio pour quatuor d'orchestre	Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson	A♭ Major	0	4B	75 BPM
The Sleeping Beauty, Op. 66, TH 13: The Sleeping Beauty, Op. 66: No. 9a Pas d'action. Rose Adagio	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	E♭ Major	2	5B	126 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi	C Minor	0	5A	175 BPM
The Unforgettable Year 1919 Suite, Op. 89a: The Assault On The Red Hill, "Assault On Beautiful Gorky"	Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich	F Major	2	7B	103 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale: Allegro energico	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	G Major	3	9B	92 BPM
Britten: The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue (Allegro molto)	Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Minor	1	8A	74 BPM
Five Variants of ‘Dives and Lazarus’	Ralph Vaughan Williams, Hallé, Sir Mark Elder	B Minor	1	10A	71 BPM
Four Sea Interludes From "Peter Grimes", Op. 33a: I. Dawn	Benjamin Britten, English Symphony Orchestra, William Boughton	B Minor	3	10A	120 BPM
In the Steppes of Central Asia	Alexander Borodin, Mariinsky Orchestra, Valery Gergiev	A Minor	0	8A	77 BPM
A Song before Sunrise	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	A♭ Major	2	4B	125 BPM
English Suite: Meditation	Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones	A Minor	0	8A	61 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	B♭ Major	1	6B	58 BPM
Slow Air	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	B♭ Major	1	6B	58 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM