Bernardo Pasquini, Rinaldo Alessandrini's ' "Corrente V" was released on its scheduled release date, April 1, 1991. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #32. Based on our statistics, Corrente V's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Corrente V by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Se regna in te pietà (Live) | Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Toccata in A Minor "Per Francia" | Bernardo Pasquini, Luca Guglielmi | C Major | 1 | 8B | 94 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 2 | 3B | 92 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: IV. Presto - Adagio | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 3 | 1A | 125 BPM | ||
| Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | B♭ Minor | 1 | 3A | 82 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: IV. Allegro | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Confitebor tibi, Domine, RV 596: I. Terzetto, "Confitebor tibi, Domine" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 2 | 1B | 107 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 1 | 3A | 82 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | B♭ Minor | 1 | 3A | 82 BPM | ||
| Concerto grosso in F Major Op. 6, No. 6: III. Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Salve Regina, RV 616: O clemens | Antonio Vivaldi, James Bowman | F Major | 0 | 7B | 87 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | B♭ Minor | 1 | 3A | 82 BPM | ||
| Passagagli in D Minor | Bernardo Pasquini, Capella Tiberina, Alexandra Nigito, Lisandro Abadie, Domen Marincic, Sam Chapman | E Minor | 4 | 9A | 147 BPM | ||
| Missa Circumcisionis, ZWV 11: Et resurrexit | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | B♭ Minor | 1 | 3A | 82 BPM |