Funeral Sentences For Queen Mary: Man That Is Born Of A Woman by Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge Song Details

"Funeral Sentences For Queen Mary: Man That Is Born Of A Woman" by Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge had its release date on December 20, 2006. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Man That Is Born Of A Woman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Funeral Sentences For Queen Mary: Man That Is Born Of A Woman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Funeral Sentences For Queen Mary: Man That Is Born Of A Woman by Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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