Pierre Phalèse, Ulsamer Collegium, Josef Ulsamer's ' "Passamezzo d'Italye - Reprise - Gaillarde" was released on its scheduled release date, January 1, 1985. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Passamezzo d'Italye - Reprise - Gaillarde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Terpsichore: Renaissance and Early Baroque Dance Music". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Passamezzo d'Italye - Reprise - Gaillarde is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Passamezzo d'Italye - Reprise - Gaillarde by Pierre Phalèse, Ulsamer Collegium, Josef Ulsamer having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chiaccona in partite variate | Alessandro Piccinini, Playfords | D♭ Minor | 0 | 12A | 70 BPM | ||
| Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
| Fantasia No. 33 | Francesco da Milano, Jakob Lindberg | G Minor | 1 | 6A | 103 BPM | ||
| 3 Parts upon a Ground in F Major, Z. 731 | Henry Purcell, La Fenice, Jean Tubéry | E Major | 0 | 12B | 57 BPM | ||
| Pavane and Galliarde "de la Battaille" | Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
| Mascarade | Israel Golani | F♯ Minor | 0 | 11A | 76 BPM | ||
| D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
| Jouissance | Giovanni Antonio Terzi, Hille Perl | C Major | 0 | 8B | 96 BPM | ||
| Dolores mortis | Diomedes, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | E Minor | 1 | 9A | 118 BPM | ||
| Chiacona - ensemble edit | Francesco Corbetta, Andreas Nachtsheim, Daniel Resa, Nedford Sará, Andrea Hussent | B Major | 1 | 1B | 120 BPM | ||
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM | ||
| Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz | August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen | G Major | 1 | 9B | 76 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Logistille de Roland | Israel Golani | F♯ Major | 0 | 2B | 78 BPM | ||
| Non Somnos Requiem | Piffaro | D Major | 1 | 10B | 154 BPM | ||
| Almande d'amour, receuil de danceries | Pierre Phalèse, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia | D Minor | 0 | 7A | 91 BPM | ||
| Almande de don Frederico, receuil de danceries | Pierre Phalèse, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia | D Minor | 0 | 7A | 170 BPM | ||
| Saltarello | Joan Ambrosio Dalza, Anthony Rooley, James Tyler | C Major | 4 | 8B | 124 BPM | ||
| Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
| Der ander Theil des Lautenbuchs: Ein welscher tantz Wascha mesa | Hans Neusidler, Ronn McFarlane | C Major | 0 | 8B | 65 BPM | ||
| Helas pitié envers moy dort si fort | Trebor, Ferrara Ensemble, Crawford Young | E♭ Major | 2 | 5B | 130 BPM | ||
| Paradetas | Gaspar Sanz, Pierre Pitzl, Private Musicke | F♯ Major | 0 | 2B | 121 BPM | ||
| Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM |