Pierre Phalèse, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia's ' "Almande de don Frederico, receuil de danceries" was released on its scheduled release date, 1995. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Almande de don Frederico, receuil de danceries's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet's "Musiques à danser de la Renaissance francaise" album is number 22 out of 25. On top of that, France appears to be the country where this track was created. The popularity of Almande de don Frederico, receuil de danceries is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Almande de don Frederico, receuil de danceries by Pierre Phalèse, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canto I, Fortuna innamorata: Recercata XII | Francesco da Milano, Xavier Diaz-Latorre | D Minor | 0 | 7A | 85 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Chansons: Je me recommande humblement | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 2 | 3B | 107 BPM | ||
| Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz | August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen | G Major | 1 | 9B | 76 BPM | ||
| Cest grand plaisir | Richard MacKenzie, Pierre Phalèse | B♭ Major | 1 | 6B | 99 BPM | ||
| Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
| Intabolatura de lauto, Book 4: Pavana alla ferrarese, Saltarello e Piva, Ricercar detto coda | Joan Ambrosio Dalza, Paolo Cherici | D Major | 2 | 10B | 68 BPM | ||
| Branle gay | Pierre Attaingnant, Ronn McFarlane | D Major | 2 | 10B | 133 BPM | ||
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
| Capricci a due stromenti cioè tiorba e tiorbino: Farfanicchia Corrente | Bellerofonte Castaldi, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
| Cutie Clat Her | Hesperus Early Music Ensemble, Tina Chancey, Scott Reiss, Grant Herreid | D Major | 2 | 10B | 103 BPM | ||
| Fantazia of foure parts | Orlando Gibbons, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 94 BPM | ||
| Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM | ||
| Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM | ||
| Daca, bailemos Carillo | Juan del Encina, ContrArco Consort | F Major | 1 | 7B | 97 BPM | ||
| Soneto I | Enríquez de Valderrábano, Shirley Rumsey | F Major | 0 | 7B | 139 BPM | ||
| Suite in G major: Allemande | Israel Golani | F♯ Major | 0 | 2B | 101 BPM | ||
| Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Der Fluyten Lust-hof, Vol. 2: Boffons | Jacob van Eyck, Lucie Horsch | A♭ Major | 0 | 4B | 133 BPM | ||
| Recercada No. 1 | Diego Ortiz, Munir Beken, August Denhard | C Major | 2 | 8B | 141 BPM | ||
| Pavan in D Major | Daniel Bacheler, Jakob Lindberg | C Major | 0 | 8B | 78 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 33, O cohors milicie | Hildegard von Bingen, Sabine Lutzenberger, Baptiste Romain | D Major | 0 | 10B | 77 BPM |