Omkar Havaldar, Rutuja Lad, Bindhumalini, Kedarnath Havaldar's 'Appreciating the Lotus' had a release date set for November 19, 2021. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Re/Semblance: Saath-Saath". In this album, this song's track order is #4. The popularity of Appreciating the Lotus is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Appreciating the Lotus by Omkar Havaldar, Rutuja Lad, Bindhumalini, Kedarnath Havaldar having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hinglaj Chalisa | Vijay Jogia | A♭ Minor | 6 | 1A | 82 BPM | ||
| Kshama Prarthana | SHRI PREM PRAKASH DUBEY | A♭ Major | 1 | 4B | 94 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Tarana | Jitendra Abhisheki | A Major | 4 | 11B | 111 BPM | ||
| Atma Rama Ananda Ramana | Connecting Lives | B Minor | 9 | 10A | 170 BPM | ||
| Shri Ram Chandra Krupalu - Ram Stuti | Ketan Patwardhan | G Minor | 4 | 6A | 110 BPM | ||
| Jahi din aahe babu | Maithili Thakur | E♭ Major | 5 | 5B | 167 BPM | ||
| Dradh Ina Charanam Kero | Sanjeev Abhyankar | D Major | 3 | 10B | 143 BPM | ||
| Rama, Rama, Rama Bhajo | Bhimsen Joshi, Umakant & Ramakant Gundecha | F♯ Minor | 4 | 11A | 100 BPM | ||
| Hari Om | Ravindra Sathe, Sadhana Sargam, Harish Bhimani, Chorus | D♭ Major | 0 | 3B | 45 BPM | ||
| Kabhu Mile Piya Mora | Indresh Upadhyay | G Minor | 2 | 6A | 143 BPM | ||
| Nazina Baluchana (Proud Baluchis) [arr. A.R. Surizahi] | Satar Baluch, Golbang | E Major | 5 | 12B | 161 BPM | ||
| Saraswati Dwadasha Stotram | Trupti Dave, Mayuri Baror, Mayur Vaghela | B Major | 4 | 1B | 102 BPM | ||
| Dream of Floating Dust | Omkar Havaldar, Chow Yiu-Fai, Kedarnath Havaldar, Sameer Havaldar | C Major | 6 | 8B | 170 BPM | ||
| Sudarshana Ashtakam | Amrita Chaturvedi, Upadhyay | G Major | 5 | 9B | 120 BPM | ||
| Sri Krishna Chaitanya Prabhu | ISKCON Bangalore | D♭ Minor | 7 | 12A | 96 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Man Bhool Mat Jayio Radha Rani Ke Charan | Pujya Shri Indresh Ji Maharaj | Indresh Ji Maharaj Bhajan | Pujya Shri Indresh Ji Maharaj | G Major | 5 | 9B | 90 BPM | ||
| Bali Raksha Mantra | Randeep Bhaskar | B Major | 4 | 1B | 59 BPM | ||
| Krishna Krishna Mukunda Janardana | Sivasri Skandaprasad | E♭ Major | 8 | 5B | 125 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Aavde Pandhri Bhima Pandurang | Rekha Manvatkar | F♯ Minor | 6 | 11A | 138 BPM | ||
| लिंगाष्टकम | Sasidhar Darla | A Minor | 4 | 8A | 120 BPM | ||
| Shiv Song | Soniyaa Bhattacharya | E Minor | 7 | 9A | 150 BPM | ||
| Hare krishna kirtan | ISKCON Bangalore | D Major | 5 | 10B | 169 BPM |