"In the Fen Country - Symphonic Impression" by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on August 9, 2023. This song appears to be safe for all ages as it is not explicit. The song is number 35 out of 36 in Best of Ralph Vaughan Williams by Ralph Vaughan Williams, Bryn Terfel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In the Fen Country - Symphonic Impression is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In the Fen Country - Symphonic Impression by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| 3 Portraits From England Of Elizabeth: Poet | RTE Concert Orchestra, Ralph Vaughan Williams | A Minor | 0 | 8A | 87 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" | Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis | E♭ Major | 1 | 5B | 112 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Fantasia Gaelach No. 1 | Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan | A♭ Major | 0 | 4B | 89 BPM | ||
| Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A♭ Major | 1 | 4B | 102 BPM | ||
| Thaïs: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
| Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
| Concerto No. 2 for Piano and Orchestra, Op. 102: II. Andante - 2017 Remastered Version | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 172 BPM | ||
| Suite No. 2, P. 138: IV. Bergamasca: Allegro | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Ma mère l'oye, M. 60 (Version for Orchestra): V. Le jardin féerique | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 89 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM |