"Sonata in B-flat Major, No. 2: I. Grave" by Arcangelo Corelli, Lucy van Dael, Bob van Asperen had its release date on December 19, 2004. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Sonata in B-flat Major, No. 2: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 30 in Corelli: Violin Sonatas Nos. 1-6, Op. 5 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Sonata in B-flat Major, No. 2: I. Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in B-flat Major, No. 2: I. Grave by Arcangelo Corelli, Lucy van Dael, Bob van Asperen is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Oboe Concerto in G Minor, HWV 287: I. Grave | George Frideric Handel, Musica Gloria, Beniamino Paganini, Nele Vertommen, Evan Buttar, Elise Dupont, Giulio Quirici, Lena Rademann, Daria Spiridonova | E Major | 3 | 12B | 122 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Sonata II in G Minor, HWV 387, Op. 2 No. 2: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: III. Allegro | Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos | D♭ Major | 2 | 3B | 134 BPM | ||
| Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio (Andante largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca | E Major | 2 | 12B | 80 BPM | ||
| Concerto Armonico No. 4 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Overture (Suite) In A Minor, TWV 55:a2: V. Rejouissance | Jiří Stivín, Capella Istropolitana, Georg Philipp Telemann | E Minor | 1 | 9A | 123 BPM | ||
| Scarlatti, A: Or che di Febo: I. Sinfonia. Largo - Adagio | Alessandro Scarlatti, The Chandos Baroque Players | D♭ Major | 0 | 3B | 74 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | E Minor | 3 | 9A | 124 BPM | ||
| Sinfonia to the oratorio Santa Beatrice d'Este in D Minor, WoO 1: II. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Minor | 2 | 12A | 75 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Concerto grosso No. 5 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D Minor | 1 | 7A | 64 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 11 in B flat major: Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A Major | 2 | 11B | 109 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: I. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : IV. Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Quido Holbling, Anna Holbling, Capella Istropolitana | C Minor | 3 | 5A | 77 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM |