On July 18, 2020, the song "Fool Antics - Prince.L Remix" was released by Ben Holt, Prince.L. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Fool Antics by Ben Holt. Based on our statistics, Fool Antics - Prince.L Remix's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fool Antics - Prince.L Remix by Ben Holt, Prince.L is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmina Burana, II. In Taberna: Olim lacus colueram | Carl Orff, Ben Holt, Frank Kelley, Gabriela Herrera, Herrera De La Fuente, Orchestra Sinfonica De Mineria | D Minor | 4 | 7A | 78 BPM | ||
| Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
| NAFC | Ben Holt | G Minor | 9 | 6A | 125 BPM | ||
| Tchaikovsky: Slavonic March, Op. 31 | Pyotr Ilyich Tchaikovsky, Seiji Ozawa, Berliner Philharmoniker | E Minor | 2 | 9A | 104 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Com' è gentil la notte a mezzo" (Ernesto, Coro) | Gaetano Donizetti, Riccardo Muti, Ambrosian Opera Chorus, Gösta Winbergh, Philharmonia Orchestra | A Major | 0 | 11B | 70 BPM | ||
| Turandot / Act I: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 85 BPM | ||
| Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Giselle - Act 1: No. 2 Entrée du Prince | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | F Major | 1 | 7B | 75 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" | Georges Bizet, Scottish National Orchestra, Alexander Gibson | C Major | 1 | 8B | 103 BPM | ||
| Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
| Wagner: Lohengrin, Act 3: "Heil! König Heinrich!" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | F Minor | 0 | 4A | 83 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Mascagni: Cavalleria rusticana: "Gli aranci olezzano" (Coro) | Pietro Mascagni, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | A Major | 1 | 11B | 76 BPM | ||
| Rossini: Petite messe solennelle: VII. Quoniam tu solus Sanctus | Gioachino Rossini, Antonio Pappano, Alex Esposito, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 0 | 4B | 125 BPM | ||
| Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
| Messa di Gloria, Op.posth., Credo: Credo in unum Deum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 1 | 5A | 135 BPM | ||
| Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| The Seraph | Jeremy Soule | C Major | 1 | 8B | 103 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
| Der fliegende Holländer / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Peter Seiffert, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | G Major | 3 | 9B | 79 BPM | ||
| L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
| Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM |