- BPM
- 130
- Key
- G Minor
- Camelot
- 6A
Come, Pure Hearts, in Sweetest Measure by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Richard Coffey Song Details
"Come, Pure Hearts, in Sweetest Measure" by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Richard Coffey had its release date on November 1, 1998. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Sing My Soul". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Come, Pure Hearts, in Sweetest Measure's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Come, Pure Hearts, in Sweetest Measure by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Richard Coffey having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -36.18 dB
- Acousticness
- 96%
- Danceability
- 16%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 40%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | |
 | 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | B♭ Major | 1 | 6B | 107 BPM | |
 | Improvisation No. 3 | Gabriela Montero | A♭ Minor | 0 | 1A | 106 BPM | |
 | 24 Preludes, Op. 11: No. 8 in F-Sharp Minor. Allegro agitato | Alexander Scriabin, Mikhail Pletnev | G Major | 0 | 9B | 74 BPM | |
 | Early in the Morning | Ned Rorem | B♭ Major | 1 | 6B | 90 BPM | |
 | Poeme. Op. 32, No.1 in F-Sharp Major - Duo-Art 6383 | Alexander Scriabin, Josef Hofmann, Peter Phillips | B♭ Major | 1 | 6B | 107 BPM | |
 | Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | |
 | Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | |
 | Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | B♭ Major | 1 | 6B | 107 BPM | |
 | Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 2: Introduction | Edward Elgar, The Orchestra Of Opera North, Martyn Brabbins | B♭ Major | 1 | 6B | 107 BPM | |
 | The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Ryan McAdams, Niamh O'Sullivan | B♭ Major | 1 | 6B | 107 BPM | |
 | Prelude Op.32 No.9 a Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | |
 | Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | B♭ Major | 1 | 6B | 107 BPM | |
 | Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | B♭ Major | 1 | 6B | 107 BPM | |
 | Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | |
 | Moments musicaux, Op. 16: No. 5, Andante sostenuto in D-Flat Major | Sergei Rachmaninoff, Inon Barnatan | D♭ Major | 0 | 3B | 170 BPM | |
 | Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | B♭ Major | 1 | 6B | 107 BPM | |
 | Humoreske in B-Flat Major, Op. 20: Einfach und zart – Intermezzo - Excerpt | Robert Schumann, Luca Buratto | G Major | 1 | 9B | 71 BPM | |
 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | B♭ Major | 1 | 6B | 107 BPM | |
 | Clarinet Trio in A Minor, Op. 114: III. Andantino grazioso | Johannes Brahms, Han Chen, Clare Monfredo, Eric Schultz | A Major | 1 | 11B | 167 BPM | |
 | Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM | |
 | Gilgamesh, Tablet 9: Deep | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | |
 | Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM |
- ISRC
- USAB10616576
- Label
- L-M Records/RCA Records