Hank Locklin's ' "Let Me Be The One" was released on its scheduled release date, November 29, 2017. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Let Me Be The One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Unforgettable". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. Based on our statistics, Let Me Be The One's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Let Me Be The One by Hank Locklin having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patches | Dickey Lee | A♭ Major | 2 | 4B | 106 BPM | ||
| Why Baby Why | Hank Locklin | G Major | 4 | 9B | 151 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| I'll Break Out Again Tonight | Darrell McCall | D♭ Major | 5 | 3B | 114 BPM | ||
| You're Driving You out of My Mind | Carl Belew | D Major | 3 | 10B | 87 BPM | ||
| Let Me Be The One | Hank Locklin | B♭ Major | 2 | 6B | 145 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM | ||
| Pop a Top | Jim Ed Brown | A Major | 4 | 11B | 118 BPM | ||
| The Wayward Wind | Tex Ritter | B♭ Major | 3 | 6B | 133 BPM | ||
| Old Shep | Walter Brennan | B♭ Major | 2 | 6B | 88 BPM | ||
| Waterloo | Stonewall Jackson | A♭ Minor | 7 | 1A | 102 BPM | ||
| Let's Go All the Way | Norma Jean | A Major | 3 | 11B | 142 BPM | ||
| Looking Back To See | The Browns | G Major | 2 | 9B | 97 BPM | ||
| Would You Hold It Against Me - Digitally Remastered | Dottie West | B♭ Major | 5 | 6B | 98 BPM | ||
| Room Full of Roses | Mickey Gilley | C Major | 4 | 8B | 106 BPM | ||
| Borrowed Angel | MEL STREET | E Major | 3 | 12B | 105 BPM | ||
| I'm Just Here to Get My Baby Out of Jail | Claude King | D Major | 3 | 10B | 84 BPM | ||
| Back Street Affair | Webb Pierce | E Major | 4 | 12B | 178 BPM | ||
| I Don't Hurt Anymore | Hank Locklin | E♭ Major | 4 | 5B | 115 BPM | ||
| In the Jailhouse Now | Webb Pierce | C Major | 3 | 8B | 96 BPM | ||
| Jody and the Kid | Roy Drusky | D Major | 4 | 10B | 80 BPM | ||
| It's a Little More Like Heaven | Hank Locklin | A Major | 6 | 11B | 84 BPM | ||
| The Comancheros | Claude King | E♭ Major | 4 | 5B | 78 BPM | ||
| You Turn Me On | George Morgan | E Major | 4 | 12B | 114 BPM | ||
| Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM |