"パヴァンと2つのガイヤルド第2番 イ短調 「ソールズベリー伯爵のパヴァン」(P. ハーヴェイによるサクソフォン四重奏編)" by ウィリアム・バード, 雲井雅人サックス四重奏団 had its release date on December 18, 2002. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. パヴァンと2つのガイヤルド第2番 イ短調 「ソールズベリー伯爵のパヴァン」(P. ハーヴェイによるサクソフォン四重奏編)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in マスランカ: マウンテン・ロード/バッハ: パルティータ第4番 他 - サクソフォン四重奏曲集, so we believe that "パヴァンと2つのガイヤルド第2番 イ短調 「ソールズベリー伯爵のパヴァン」(P. ハーヴェイによるサクソフォン四重奏編)" is a single. パヴァンと2つのガイヤルド第2番 イ短調 「ソールズベリー伯爵のパヴァン」(P. ハーヴェイによるサクソフォン四重奏編) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of パヴァンと2つのガイヤルド第2番 イ短調 「ソールズベリー伯爵のパヴァン」(P. ハーヴェイによるサクソフォン四重奏編) by ウィリアム・バード, 雲井雅人サックス四重奏団 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fuga in A Major | Adam Falckenhagen, Carlos Torres | A♭ Major | 3 | 4B | 85 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): I. Introduzione adagio e un poco più mosso | Ernst Krähmer, Claudio Ferrarini | G Major | 2 | 9B | 71 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Gratioso | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Prélude et fugue | Claude Balbastre, Pauline Koundouno-Chabert | C Minor | 4 | 5A | 143 BPM | ||
| Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
| Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
| Pavana, BK 60a "Ph. Tr." | ウィリアム・バード, 中村恵美 | E Major | 2 | 12B | 91 BPM | ||
| The Queen’s Alman, BK 10 | ウィリアム・バード, 中村恵美 | F♯ Major | 2 | 2B | 104 BPM | ||
| Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
| La volta, BK 91 | ウィリアム・バード, 中村恵美 | C Major | 5 | 8B | 135 BPM | ||
| Haydn, M: Divertimento in E-Flat Major, MH 9: I. Adagio con variazioni | Michael Haydn, Rodney Slatford, Kenneth Heath, Stephen Shingles | D Major | 1 | 10B | 108 BPM | ||
| Concerto Armonico No. 5 in F Minor: Adagio - Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Minor | 0 | 9A | 92 BPM | ||
| Trattado de Glosas: Recercada sesta | Diego Ortiz, Rolf Lislevand | B Major | 1 | 1B | 141 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: I. Allegro e non presto (Transcr. for Piccolo Trumpet and Baroque Orchestra by Simon Wright) | Tomaso Albinoni, Alison Balsom, Pinnock’s Players, Trevor Pinnock | D♭ Minor | 6 | 12A | 103 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | G Major | 2 | 9B | 71 BPM | ||
| Sonata en quator: I. Gravement-vite | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | E Minor | 1 | 9A | 95 BPM | ||
| Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | A Major | 1 | 11B | 141 BPM | ||
| Suite in G Minor: V. Fantaisie en rondeau | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 91 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VIII. Variazione VI. Allegro | Ernst Krähmer, Claudio Ferrarini | G Major | 2 | 9B | 71 BPM | ||
| Bassoon Concerto in C Major, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pal Nemeth | D♭ Major | 1 | 3B | 153 BPM | ||
| Facultad organica: No. 18, Quarto tiento de quarto tono, FO 18 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM |