B. バルトーク, ザ・ブラス・ゼクステット, 福田善亮(トランペット), 高橋敦(トランペット), 松崎裕(ホルン), 小田桐寛之(トロンボーン), 秋山鴻市(バス・トロンボーン), 渡辺功(テューバ)'s '9つのバガテル 『14のバガテル』Op.6より 第14番' had a release date set for November 25, 2014. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 9つのバガテル 『14のバガテル』Op.6より 第14番's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 金管楽器のための音楽, so we believe that "9つのバガテル 『14のバガテル』Op.6より 第14番" is a single. Based on our statistics, 9つのバガテル 『14のバガテル』Op.6より 第14番's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 9つのバガテル 『14のバガテル』Op.6より 第14番 by B. バルトーク, ザ・ブラス・ゼクステット, 福田善亮(トランペット), 高橋敦(トランペット), 松崎裕(ホルン), 小田桐寛之(トロンボーン), 秋山鴻市(バス・トロンボーン), 渡辺功(テューバ) is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 44の二重奏より 第42番 アラビアの歌 | B. バルトーク, 川崎雅夫(ヴィオラ), 店村眞積(ヴィオラ) | B♭ Major | 2 | 6B | 74 BPM | ||
| The New Cut | Tobias Hume, Anja Lechner | F Major | 0 | 7B | 177 BPM | ||
| Nouveau Concert No.13 in G major (+ 2 instruments à l'unisson): 4. Chaconne Légere | François Couperin, Josef Ulsamer, Laurenzius Strehl | G Major | 1 | 9B | 171 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Couperin, L: Suite en ré: III. Courante, G. 42 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Allegro for Viola da Gamba Solo in D Major, Drexel Manuscript No. 1 Wko186 A1 | Carl Friedrich Abel, Alejandro Marías | D♭ Major | 1 | 3B | 154 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | G Minor | 1 | 6A | 81 BPM | ||
| Perpetual Motion, Op. 28 | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 5 | 6A | 103 BPM | ||
| 愛のよびかけ (愛の挨拶)作品12 | Edward Elgar, 藤原真理, アラン・プラネス | D Major | 1 | 10B | 105 BPM | ||
| 10の易しい曲(1908) | B. バルトーク, 高橋悠治(ピアノ) | C Major | 0 | 8B | 96 BPM | ||
| Terzetto in C Major, op. 74: I. Introduzione: Allegro ma non troppo - Live | Antonín Dvořák, Paul Neubauer, Arnaud Sussmann, Erin Keefe | C Minor | 2 | 5A | 132 BPM | ||
| 9つの小品 Ⅲ. ソステヌート | B. バルトーク, 東京メトロポリタン・トロンボーン・クァルテット, 小田桐寛之(トロンボーン), 古賀慎治(トロンボーン), 井口有里(トロンボーン), 井上順平(トロンボーン) | F Major | 0 | 7B | 75 BPM | ||
| Frescobaldi: Toccate e partite d'intavolatura, Libro 1: Partite cento sopra il passacagli | Girolamo Frescobaldi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (b) Variation I | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Invention No. 6 in E Major, BWV 777 | Johann Sebastian Bach, Martin Fröst, Göran Fröst | E Major | 1 | 12B | 130 BPM | ||
| Vivaldi: Cello Sonata No. 1 in B-Flat Major, Op. 14, RV 47: I. Largo | Antonio Vivaldi, Paul Tortelier, Robert Veyron-Lacroix | B♭ Major | 1 | 6B | 102 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| 弦楽のためのアダージョ | S. バーバー, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Caprice No. 5 in B-Flat Major | Joseph-Marie-Clement Dall'Abaco, Kristin von der Goltz | G Major | 1 | 9B | 64 BPM | ||
| Haydn: String Quartet in G Major, Op. 76 No. 1, Hob. III:75: III. Menuetto. Presto | Joseph Haydn, Quatuor Arod | G Major | 2 | 9B | 116 BPM | ||
| Bach, CPE: Flute Sonata in G Minor: I. Allegro (Formerly Attributed to JS Bach as BWV 1020) | Carl Philipp Emanuel Bach, Aurèle Nicolet, Karl Richter | G Minor | 1 | 6A | 81 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Hungarian Dance in F Minor | Sharon Ruchman | B♭ Major | 1 | 6B | 81 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: I. Largo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 4 | 7B | 115 BPM |