Vilas Joglekar, Uttara Kelkar, Rajna Joglekar, Ravinder Saathe, Prabhakar Karekar's ' "Ashtavinayak Mahima" was released on its scheduled release date, June 22, 2000. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 3 out of 9 in Ashtavinayak Mahima by Vilas Joglekar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ashtavinayak Mahima is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ashtavinayak Mahima by Vilas Joglekar, Uttara Kelkar, Rajna Joglekar, Ravinder Saathe, Prabhakar Karekar is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Shiv Ke Pyare | Debashish Dasgupta, Lakhbir Singh Lakkha | C Major | 7 | 8B | 119 BPM | ||
| Kaal Drushto Ki Maa | Hari Om Sharan | B Minor | 6 | 10A | 144 BPM | ||
| Main Hawa Hoon Kahan Watan Mera | Ahmed Hussain, Mohammed Hussain | G Minor | 4 | 6A | 130 BPM | ||
| Mala Pahije Fakt Bayku | Anand Shinde | G Major | 7 | 9B | 158 BPM | ||
| Ham Jo Sahara Dhoondte The | Brahma Kumaris | D♭ Major | 5 | 3B | 148 BPM | ||
| Ashtavinayak Mahima | Vilas Joglekar, Prabhakar Karekar, Rajna Joglekar, Ravinder Saathe, Uttara Kelkar | E Major | 4 | 12B | 96 BPM | ||
| Kodituka Heylesa | Vandemataram Srinivas, Vangapandu Prasad Rao | F Major | 6 | 7B | 103 BPM | ||
| Sadguru Natha Hat Jodito | Mahesh Hiremath, Shubhangi Joshi | E♭ Major | 6 | 5B | 102 BPM | ||
| Woh Meri Mohabbat Ka | Roop Kumar Rathod, Sonali Rathod | D Major | 4 | 10B | 112 BPM | ||
| Dam Patin La - Radio Version | Malani Bulathsinhala, Gunadasa Kapuge | G Major | 3 | 9B | 99 BPM | ||
| Guru Meri Pooja Guru Govinda | Anup Jalota, Chandra Kamal | B♭ Minor | 6 | 3A | 129 BPM | ||
| Kahe Ko Byahi Bidesh | Malini Awasthi | E♭ Major | 4 | 5B | 108 BPM | ||
| Paimane Toot Gaye | Pankaj Udhas | B♭ Major | 6 | 6B | 88 BPM | ||
| Chhatt Chhuti - Tapp Tipi | Narendra Singh Negi, Anuradha Nirala | A♭ Major | 4 | 4B | 179 BPM | ||
| Shri Krishna Saranam Mam | Ashit Desai, Hema Desai | B Minor | 6 | 10A | 73 BPM | ||
| Aayushya Tej Aahe | Bhimrao Panchale | D Major | 4 | 10B | 112 BPM | ||
| Sant Tochi Jana | Suresh Wadkar | B Minor | 6 | 10A | 168 BPM | ||
| ANKH MARI UGHDE TYA SHRIJI | NITIN DEVKA-NIDHO DHOLKIA | E♭ Major | 4 | 5B | 156 BPM | ||
| Hey Shiv Pita Parmatma (From "Shiv Gungaan") | Hariharan | F Major | 6 | 7B | 120 BPM | ||
| Yamuna Jal Ma Kesar | Paras Borkhatria | F Minor | 6 | 4A | 128 BPM | ||
| Nao Tuzaghenyasathi | Suresh Wadkar, Dada Kondke | C Major | 8 | 8B | 98 BPM | ||
| Sonya Motyachi Maal Sukhan Rahu De Majh Kaal Mani | Milind Shinde | F Minor | 7 | 4A | 101 BPM | ||
| Hamari Hi Mutthi Mein, Pt. 1 | Manna Dey | E Major | 5 | 12B | 150 BPM | ||
| Jevo Gano Tevo Tamaro Putra Jani | Sachin Limaye, Gaytri Upadhyay | E♭ Major | 3 | 5B | 77 BPM | ||
| Nay Gonge Nay Gonge | Veena Bamne, Shrikant Narayan | B♭ Minor | 4 | 3A | 165 BPM |