Vilas Joglekar, Prabhakar Karekar, Rajna Joglekar, Ravinder Saathe, Uttara Kelkar's ' "Ashtavinayak Mahima" was released on its scheduled release date, June 22, 2000. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The song is number 6 out of 9 in Ashtavinayak Mahima by Vilas Joglekar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Ashtavinayak Mahima is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ashtavinayak Mahima by Vilas Joglekar, Prabhakar Karekar, Rajna Joglekar, Ravinder Saathe, Uttara Kelkar is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aga Nirguna Nishchala Tuch Re | Swapnil Bandodkar | B♭ Minor | 8 | 3A | 98 BPM | ||
| Thar Mata Thar | Gulshan Khemani | F♯ Major | 7 | 2B | 110 BPM | ||
| Chikna Chikna Mhavra Maza | Shahir Vitthal Umap | B♭ Major | 5 | 6B | 192 BPM | ||
| Bajoo Bandh | Alka Yagnik, Suresh Wadkar, Laxmikant–Pyarelal | D♭ Minor | 8 | 12A | 89 BPM | ||
| Meri Yaad Aayee | Altaf Raja | A♭ Minor | 5 | 1A | 141 BPM | ||
| Ladkiya Bewafa | Noor Jahan | E♭ Minor | 6 | 2A | 109 BPM | ||
| Nazar Mujhse | Ahmed Hussain, Mohammed Hussain | A♭ Minor | 4 | 1A | 154 BPM | ||
| Woh Meri Mohabbat Ka | Roop Kumar Rathod, Sonali Rathod | D Major | 4 | 10B | 112 BPM | ||
| Sancha Naam Tera | Asha Bhosle, Usha Mangeshkar | A♭ Major | 4 | 4B | 83 BPM | ||
| Chhoji Amaru Jivan Pramukh Swami | Sadhu Shukmunidas | F♯ Major | 2 | 2B | 78 BPM | ||
| Savale Parabrahma Aavade - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Tann Ke Tanbure Mein | Anup Jalota | D♭ Major | 7 | 3B | 86 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Amrit vela shudh pavan hai | Brahma Kumaris | A♭ Minor | 3 | 1A | 79 BPM | ||
| Bhola Ho Bum Bhola - Bhojpuri | Sharda Sinha | D♭ Major | 6 | 3B | 172 BPM | ||
| Maiya Sudh Nahi Bisaru | Shahnaz Akhtar | D♭ Major | 5 | 3B | 105 BPM | ||
| Sadher Lau Banaila More Bairagi | Runa Laila | G Major | 5 | 9B | 63 BPM | ||
| Om Jai Narsingh Hare Aarti | Ravindra Jain, Satish Dehra, Chandrani Mukherjee, Arvinder Singh | F♯ Major | 3 | 2B | 99 BPM | ||
| Nadir Paare Uthchhe Dhonya | R. D. Burman | A♭ Major | 3 | 4B | 128 BPM | ||
| Manush Manusher Janya | Bhupen Hazarika | E Major | 4 | 12B | 139 BPM | ||
| Banshi Bajuchhi Re | Bhikari Bal | F Major | 5 | 7B | 176 BPM | ||
| Chokher Jale Dhoabo Ma | Kumar Sanu | G Major | 7 | 9B | 153 BPM | ||
| Din Kahe to Din | Baps Swaminarayan Sanstha | B♭ Minor | 6 | 3A | 73 BPM | ||
| Hu To Kagadiya Lakhi Lakhi | Diwaliben Bhil | G Major | 3 | 9B | 114 BPM | ||
| Pandharichya Sakhya Panduranga | Prahlad Shinde | G Minor | 4 | 6A | 93 BPM |