"Lamentationes Jeremiae Prophetae, Secondo die: Responso primo. Tradiderunt me" by Emilio de' Cavalieri, Profeti Della Quinta had its release date on September 15, 2023. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Lamentationes Jeremiae Prophetae, Secondo die: Responso primo. Tradiderunt me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Secondo die: Responso primo. Tradiderunt me by Emilio de' Cavalieri, Profeti Della Quinta is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: IV. Israel hoffe auf den Herren! / Wer hofft in Gott und dem Vertraut | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Minor | 2 | 5A | 88 BPM | ||
| Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Major | 0 | 3B | 64 BPM | ||
| Rappresentatione di anima et di corpo: Proemio | Emilio de' Cavalieri, Serena Malcangi, Loredana Gintoli, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 85 BPM | ||
| Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Rappresentatione di Anima et di Corpo: Atto primo Scena I Nr. 1 "Il tempo, il tempo fugge" | Emilio de' Cavalieri, Theo Adam, Ensemble Wolfgang von Karajan, Capella Academica Wien, Sir Charles Mackerras | D Major | 3 | 10B | 85 BPM | ||
| Rappresentatione di anima et di corpo, Atto II Scena 7: "Io son, io son il mondo" (Il Mondo) | Emilio de' Cavalieri, Marcos Fink, Johannes Weisser, Marie-Claude Chappuis, Christina Roterberg, Luciana Mancini, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 85 BPM | ||
| Lamentationes Jeremiae Prophetae, Prima die: Responso secondo. Una hora | Emilio de' Cavalieri, Profeti Della Quinta | D♭ Minor | 1 | 12A | 94 BPM | ||
| Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Thomas Dunford, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
| Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
| Rappresentatione di Anima et di Corpo: Scena IX Nr. 91 Choro "Chiostri altissimi, e stellati" | Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras | G Major | 1 | 9B | 85 BPM | ||
| Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
| La comica del cielo: Sinfonia | Antonio Maria Abbatini, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 1 | 6B | 94 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Rappresentatione di anima et di corpo, Atto III Scena 6: "Alma, la pena e'l danno" (Il Consiglio) | Emilio de' Cavalieri, Gyula Orendt, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 2 | 9B | 137 BPM | ||
| Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad manus: Concerto "Quid sunt plagae istae in medio manuum tuarum?" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Airs de cour à quatre & cinq parties, Livre II: Tant et tant il m'ennuye tant | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 99 BPM | ||
| Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
| Conductus flos in monte cernitur | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker, Tereza Havlíková | C Major | 1 | 8B | 79 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
| Conductus Deus misertus hominis | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová | A Minor | 0 | 8A | 81 BPM | ||
| La nuict froide & sombre | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | D♭ Minor | 0 | 12A | 132 BPM | ||
| Quinto Ballo detto lo Ninfe di Senna: Canario | Lorenzo Allegri, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM |