"Seven Imperatives (2001): I. Seek" by Rolf Wallin, Håkon Austbø had its release date on October 12, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Norwegian Imperatives". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Norway. Based on our statistics, Seven Imperatives (2001): I. Seek's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Imperatives (2001): I. Seek by Rolf Wallin, Håkon Austbø having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | B Major | 1 | 1B | 103 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B Major | 1 | 1B | 103 BPM | ||
| Variations for Orchestra, Op. 31: Variation I. Moderato | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Summer Music, Op. 31: I. Slow and Indolent | Samuel Barber, Ensemble Ouranos | A♭ Minor | 0 | 1A | 134 BPM | ||
| 24 Preludes for Piano, Book II: No. 9 in E Major | Nicholas Scott-Burt, Da-Hee Kim | B Major | 1 | 1B | 103 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 14. Percussion Interlude | Brian Dean Morales, Torrel Moss | B Major | 1 | 1B | 103 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | B Major | 1 | 1B | 103 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Whirld (2018) for violin and orchestra: IV. Rubedo | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | B Major | 1 | 1B | 113 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: I. Elegy. Adagio | Dmitri Shostakovich, Cuarteto Casals | B Major | 1 | 1B | 103 BPM | ||
| Concertino for Viola and Chamber Orchestra: III. Presto, Molto Ritmico | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | G Major | 1 | 9B | 87 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | B Major | 1 | 1B | 103 BPM | ||
| Abstractions: III. Seascape (Inspired by Hiroshi Sugimoto's Caribbean Sea, Jamaica, 1980) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 66 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | B Major | 1 | 1B | 103 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | B Major | 1 | 1B | 103 BPM | ||
| Falla: Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | B Major | 1 | 1B | 103 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | B Major | 1 | 1B | 103 BPM | ||
| Suite of Preludes: No. 1, Animato | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | ||
| Elegy - Arr. for Trumpets and Organ | Rolf Wallin, Preben Nørgaard Christensen, Ketil Christensen, Pavel Vitek, The Moravian Silesian Chamber Orchestra | A♭ Major | 3 | 4B | 67 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM |