"Five Movements for String Quartet, Op. 5: IV. Sehr langsam" by Anton Webern, Leonkoro Quartet had its release date on January 23, 2026. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Out of Vienna". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. The popularity of Five Movements for String Quartet, Op. 5: IV. Sehr langsam is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five Movements for String Quartet, Op. 5: IV. Sehr langsam by Anton Webern, Leonkoro Quartet having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Partita, Op. 2: II. Fughetta | Georgijs Osokins, Arvo Pärt | B♭ Major | 4 | 6B | 99 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: II. Divertissement: Andantino | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | D Major | 1 | 10B | 72 BPM | ||
| Gougalōn, Scenes from a Street Theatre: IV. Episode between Bottles and Cans - Definitive Version 2011 | Unsuk Chin, Ensemble Intercontemporain, Pierre Bleuse | A Minor | 1 | 8A | 110 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | D Major | 2 | 10B | 156 BPM | ||
| Entflieht auf leichten Kähnen, Op. 2 | Anton Webern, Ensemble Intercontemporain, Pierre Boulez, BBC Singers, Malcolm Hicks | D♭ Major | 0 | 3B | 115 BPM | ||
| Janacek: The Diary of One Who Disappeared, JW V/12: No. 13, Andante "Intermezzo erotico" | Leoš Janáček, Ian Bostridge/Ruby Philogene/Thomas Adès | E Major | 0 | 12B | 170 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Kantate No. 2, Op. 31: I. Schweigt auch die Welt | Anton Webern, Pierre Boulez, London Symphony Orchestra | B Minor | 0 | 10A | 129 BPM | ||
| Symphony No. 1: I. [Quarter Note = 60] | Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen | C Major | 0 | 8B | 136 BPM | ||
| Piano Concerto No. 2, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
| String Trio Op. 20: 1. Sehr langsam | Anton Webern, Emerson String Quartet | D Minor | 0 | 7A | 86 BPM | ||
| Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | A Minor | 1 | 8A | 110 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| Nocturne No. 13 in B Minor, Op. 119 | Gabriel Fauré, Kun-Woo Paik | E Minor | 1 | 9A | 68 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | A Minor | 1 | 8A | 110 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| 24 Preludes and Fugues, Op. 87: Fugue No. 2 in A Minor: Allegretto | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | ||
| String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': III. Moderato. Andante. Adagio | Leoš Janáček, Jerusalem Quartet | D♭ Minor | 1 | 12A | 88 BPM | ||
| 3 Lieder for Voice and Orchestra, Op. posth: No. 3, O sanftes Glühn der Berge | Anton Webern, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 74 BPM | ||
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | ||
| Scaramouche pour 2 pianos: Vif | Darius Milhaud, Edouard Exerjean, Philippe Corre | E Minor | 1 | 9A | 183 BPM |