Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf's 'Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me' had a release date set for November 25, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 118 out of 129 in Big Baroque Box, Vol III by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me by Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 82 BPM | ||
| Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
| Rodelinda / Act 2: Io t'abbraccio | George Frideric Handel, Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis | B Minor | 0 | 10A | 123 BPM | ||
| Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth "Dido's Lament" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | F♯ Minor | 1 | 11A | 85 BPM | ||
| Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM | ||
| Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
| Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM | ||
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
| Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] | Francesco Durante, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 4 | 11A | 109 BPM | ||
| Pergolesi: Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Gérard Lesne | D♭ Major | 2 | 3B | 112 BPM | ||
| Stabat Mater, P. 77: "Stabat Mater dolorosa" | Giovanni Battista Pergolesi, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Adrien La Marca | F Minor | 2 | 4A | 100 BPM | ||
| Troisième Leçon de Ténèbres | François Couperin, Jordi Savall | A Minor | 0 | 8A | 209 BPM | ||
| Mass in B Minor, BWV 232: Et incarnatus est | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
| Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
| Virgo Virginum | Andreas Scholl, Marco Rosano | E Minor | 1 | 9A | 68 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
| When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 2 | 3B | 135 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
| Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Danse du Grand Calumet de la Paix (Danse des Sauvages) | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 79 BPM | ||
| L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon Jeffery | G Major | 2 | 9B | 69 BPM | ||
| Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
| Griseldis: Introduction | Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario Salvi | B♭ Major | 2 | 6B | 78 BPM |