Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me
Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf
Big Baroque Box, Vol III
4:29 November 25, 2014
BPM
71
Key
D♭ Major
Camelot
3B

Embed

Share Link

Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me by Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf Song Details

Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf's 'Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me' had a release date set for November 25, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 118 out of 129 in Big Baroque Box, Vol III by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Pergolesi: La Serva Padrona Act 1. Recitative: Qusest e per me by Giovanni Battista Pergolesi, Philomel Baroque Chamber Orchestra, Rudolph Palmer, John Ostendorf is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-22.352 dB
Acousticness
97%
Danceability
38%
Energy
19%
Instrumentalness
0%
Liveness
18%
Loudness
63%
Speechiness
36%
Valence
27%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) by Claudio Monteverdi, Concerto Italiano, Rinaldo AlessandriniMadrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)Claudio Monteverdi, Concerto Italiano, Rinaldo AlessandriniA Minor08A129 BPM
Miserere, ZWV 57: II. Miserere II by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: II. Miserere IIJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánE♭ Major15B168 BPM
Fauré: Requiem, Op. 48: VI. Libera me by Gabriel Fauré, Paavo Järvi, Orchestre de ParisFauré: Requiem, Op. 48: VI. Libera meGabriel Fauré, Paavo Järvi, Orchestre de ParisD Minor07A82 BPM
Requiem No. 1 in C Minor: Agnus Dei by Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisRequiem No. 1 in C Minor: Agnus DeiLuigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Major08B128 BPM
Rodelinda / Act 2: Io t'abbraccio by George Frideric Handel, Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan CurtisRodelinda / Act 2: Io t'abbraccioGeorge Frideric Handel, Simone Kermes, Marijana Mijanovic, Il Complesso Barocco, Alan CurtisB Minor010A123 BPM
Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth "Dido's Lament"Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor PinnockF♯ Minor111A85 BPM
Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei by Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian BoultMass in B Minor, BWV 232 / Agnus Dei: Agnus DeiJohann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian BoultG Minor26A106 BPM
Artaserse: Se al labbro mio non credi - Instrumental Version by Christophe Rousset, Les Talens LyriquesArtaserse: Se al labbro mio non credi - Instrumental VersionChristophe Rousset, Les Talens LyriquesE Minor09A133 BPM
Rinaldo, HWV 7a / Act 1: Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara"George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira ValovaE♭ Minor22A114 BPM
Idaspe: Ombra fedela anch'io (Air de Dario) by Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewskaIdaspe: Ombra fedela anch'io (Air de Dario)Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewskaD♭ Major03B71 BPM
Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] by Francesco Durante, Nathalie Stutzmann, Orfeo 55Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge]Francesco Durante, Nathalie Stutzmann, Orfeo 55F♯ Minor411A109 BPM
Pergolesi: Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (Alto) by Giovanni Battista Pergolesi, Il Seminario Musicale - Gérard LesnePergolesi: Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (Alto)Giovanni Battista Pergolesi, Il Seminario Musicale - Gérard LesneD♭ Major23B112 BPM
Stabat Mater, P. 77: Stabat Mater, P. 77: "Stabat Mater dolorosa"Giovanni Battista Pergolesi, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Adrien La MarcaF Minor24A100 BPM
Troisième Leçon de Ténèbres by François Couperin, Jordi SavallTroisième Leçon de TénèbresFrançois Couperin, Jordi SavallA Minor08A209 BPM
Mass in B Minor, BWV 232: Et incarnatus est by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerMass in B Minor, BWV 232: Et incarnatus estJohann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD♭ Major43B193 BPM
Lauda Jerusalem (Salmo 147), RV 609 by Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo AlessandriniLauda Jerusalem (Salmo 147), RV 609Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo AlessandriniE Minor29A138 BPM
Virgo Virginum by Andreas Scholl, Marco RosanoVirgo VirginumAndreas Scholl, Marco RosanoE Minor19A68 BPM
Heinichen: Alma Redemptoris Mater, S. 22: I. Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroE Major112B130 BPM
When I Am Laid In Earth (Dido's Lament) by Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersWhen I Am Laid In Earth (Dido's Lament)Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry ChristophersF♯ Minor011A72 BPM
Missa Tempore Quadragesimae, MH 553: Credo by Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: CredoMichael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiD♭ Major23B135 BPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodF♯ Minor111A80 BPM
Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Danse du Grand Calumet de la Paix (Danse des Sauvages) by Jean-Philippe Rameau, Les Arts Florissants, William ChristieLes Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Danse du Grand Calumet de la Paix (Danse des Sauvages)Jean-Philippe Rameau, Les Arts Florissants, William ChristieF♯ Minor011A79 BPM
L'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & Piano by Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon JefferyL'incoronazione di Poppea, SV 308: Pur ti miro - Arr. for Voice & PianoClaudio Monteverdi, Théophile Alexandre, Guillaume Vincent, Chantal Santon JefferyG Major29B69 BPM
Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages)Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William ChristieF♯ Minor111A78 BPM
Griseldis: Introduction by Adolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario SalviGriseldis: IntroductionAdolphe Adam, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Dario SalviB♭ Major26B78 BPM
ISRC
USKO11402056
Label
L-M Records/RCA Records