Ramdas Kamat's ' "Vinayaka Ho Sidhiganesha" was released on its scheduled release date, December 31, 1975. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Vinayaka Ho Sidhiganesha's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 2 in Daar Ughad Daya Dar -Drama by Vishwanath More, Ashokji Paranjape. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Vinayaka Ho Sidhiganesha's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Vinayaka Ho Sidhiganesha by Ramdas Kamat is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janvijan Zale Aamha | Ramdas Kamat | E♭ Major | 3 | 5B | 134 BPM | ||
| Bhaja Govindam Bhaja Govindam | Sri Sathya Sai Bhajans | F♯ Major | 5 | 2B | 107 BPM | ||
| Dil- E- Nadan Tujhe Huwa Kya | Peenaz Masani | F♯ Minor | 4 | 11A | 77 BPM | ||
| Jato Maghari Pandharinatha | R.N. Paradkar | B♭ Major | 3 | 6B | 133 BPM | ||
| Dharila Pandharicha Chor | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Major | 4 | 2B | 111 BPM | ||
| Kuthe Shodhisi Rameshwar | Sudhir Phadke | E Minor | 3 | 9A | 94 BPM | ||
| Ham Jo Sahara Dhoondte The | Brahma Kumaris | D♭ Major | 5 | 3B | 148 BPM | ||
| Dhanya Bhag Seva Ka Avsar Paya | Rajan Mishra, Sajan Mishra, Kavita Krishnamurthy, Laxmikant–Pyarelal | D Major | 7 | 10B | 92 BPM | ||
| Pratham Tuj Pahata - Dhol Mix | DJ Carron, Ramdas Kamat | D Major | 9 | 10B | 119 BPM | ||
| Shar Lagla Tuza Ge | Ramdas Kamat, Sharad Jambhekar | E♭ Minor | 6 | 2A | 116 BPM | ||
| Narsobachya Vadeela | Ajeet Kumar Kadkade | E♭ Major | 4 | 5B | 120 BPM | ||
| Sur Tech Chhedita | Mahendra Kapoor | B Minor | 3 | 10A | 75 BPM | ||
| Ami Kothay Pabo Tare | Amar Pal | A♭ Major | 4 | 4B | 109 BPM | ||
| Mero Ram Timi | Krishnaman, Gyanu Rana | D♭ Major | 3 | 3B | 82 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM | ||
| Janiv Neniv | Suresh Wadkar | B♭ Minor | 4 | 3A | 144 BPM | ||
| Swami Kripa Jhaali | Ajeet Kumar Kadkade | B♭ Major | 6 | 6B | 103 BPM | ||
| Ja Bhay Na Mamha Mora | Ramdas Kamat, Nilakshi Juvekar | G Minor | 7 | 6A | 108 BPM | ||
| Runu Zunu Re Bhramara | Ramdas Kamat | B Major | 7 | 1B | 112 BPM | ||
| Raga Sohni - Madhyalaya Roopak | Mahesh Kale | F♯ Minor | 6 | 11A | 78 BPM | ||
| Donon Jahaan | Hazir | G Minor | 7 | 6A | 144 BPM | ||
| Uthi Re Uthi Pahat Zali | Snehal Bhatkar, Lata Mangeshkar | E Major | 1 | 12B | 138 BPM | ||
| Guntata Hriday He | Ramdas Kamat | E Major | 4 | 12B | 69 BPM | ||
| Namaste Smarannye Shibe | Shankarlal Mukherjee, Birendra Krishna Bhadra | B♭ Major | 3 | 6B | 124 BPM | ||
| Pail To Ge Kau Koktahe (with Commentary) | Prof.Ram Shevalkar, Lata Mangeshkar | F♯ Major | 3 | 2B | 76 BPM |