New Trinity Baroque's ' "Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: II. Allegro" was released on its scheduled release date, December 29, 2011. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Baroque Christmas by New Trinity Baroque & Predrag Gosta / Kathryn Mueller, Wanda Yang Temko. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: II. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: II. Allegro by New Trinity Baroque is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Flute Concerto No. 2 in C Minor: II. Allemande | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | G Minor | 0 | 6A | 78 BPM | ||
| Sonata da Chiesa a tre, Op. 1 No. 1 in F Major: I. Grave | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | C Major | 1 | 8B | 101 BPM | ||
| Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Minor | 1 | 8A | 159 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 5 in C major: II. Adagio | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | A♭ Minor | 1 | 1A | 77 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: IV. Allemande. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 117 BPM | ||
| Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
| Suite In G Minor (Suite En Sol Mineur): Prélude | Marin Marais | F♯ Minor | 1 | 11A | 88 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Stabat Mater: IV. Quae moerebat et dolebat | New Trinity Baroque | D Major | 0 | 10B | 86 BPM | ||
| Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": IV. Saraban | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 2: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 119 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
| La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | ||
| Water Music, Suite No. 3 in G Major, HWV 350: I. Sarabande | George Frideric Handel, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 75 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Da capella presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 82 BPM | ||
| Scarlatti, D: Sinfonia No. 7 in C Major: III. Allegrissimo | Domenico Scarlatti, Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM | ||
| Offerte pour l'orgue et pour les violons, flûtes et hautbois, H. 514 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 55 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 131 BPM | ||
| Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | A Major | 3 | 11B | 135 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM |