"Variations On An Original Theme (enigma), Op. 36" by Edward Elgar, London Symphony Orchestra, Eduardo Mata had its release date on October 13, 2009. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 17 in Elgar: Enigma Variations; In The South; Introduction & Allegro For Strings by Edward Elgar, Eduardo Mata, Yehudi Menuhin, Barry Wordsworth, London Symphony Orchestra, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Variations On An Original Theme (enigma), Op. 36 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On An Original Theme (enigma), Op. 36 by Edward Elgar, London Symphony Orchestra, Eduardo Mata is Grave (very slow), since this song has a tempo of 44 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Sir Adrian Boult, London Symphony Orchestra | C Minor | 1 | 5A | 76 BPM | ||
| Holberg Suite, opus 40:Gavotte (Allegretto)-Musette(Poco piu mosso) -Gavotte | Academy of St. Martin in the Fields | G Major | 0 | 9B | 80 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| 4 Dance Episodes from Rodeo: II. Corral Nocturne. Moderato | Aaron Copland, London Symphony Orchestra | C Major | 0 | 8B | 82 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 81 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo | Felix Mendelssohn, André Previn, London Symphony Orchestra | G Minor | 2 | 6A | 120 BPM | ||
| Dangerous Journeys: I. White Water | Mark Edwards Wilson, London Symphony Orchestra, Benjamin Marquis Gilmore, Robert Ziegler | G Major | 3 | 9B | 80 BPM | ||
| Symphony No. 15 in A Major, Op. 141: III. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Minor | 0 | 5A | 103 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
| The Phoenix: III. The Phoenix Rising | Mark Edwards Wilson, London Symphony Orchestra, Jack Jarrett, Robert Ziegler | G Major | 3 | 9B | 80 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 1 | 6B | 75 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 7. Notturno | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | G Major | 3 | 9B | 80 BPM | ||
| Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
| The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
| Giselle - Act 2: No. 16 Final | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | C Major | 3 | 8B | 86 BPM | ||
| The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
| Puccini : Manon Lescaut : Act 3 Intermezzo | Giacomo Puccini, Kent Nagano, Orchestre de l'Opéra de Lyon | F♯ Minor | 1 | 11A | 109 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Suffolk Suite: II. Orford Ness. Allegretto grazioso | Doreen Carwithen, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 78 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 3, Scene 1: Romeo and Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Major | 0 | 6B | 72 BPM |