Caterina Barbieri's ' "Terminal Clock" was released on its scheduled release date, July 8, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Spirit Exit". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Terminal Clock is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Terminal Clock by Caterina Barbieri having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moonlight | Koreless | F♯ Minor | 2 | 11A | 94 BPM | ||
| Waw | Astrid Sonne | F Minor | 1 | 4A | 68 BPM | ||
| Refuge | Deru | A Minor | 2 | 8A | 60 BPM | ||
| Moments In Love | Kara-Lis Coverdale | A♭ Major | 1 | 4B | 73 BPM | ||
| Withdrawal | Astrid Sonne | A Minor | 2 | 8A | 95 BPM | ||
| Ashes Over Shute Shelve | Jabu, Daniela Dyson, Memotone | F Minor | 3 | 4A | 77 BPM | ||
| Perzeption | JakoJako | F Minor | 3 | 4A | 180 BPM | ||
| McArthur | FRANKIE, Kelman Duran | E Major | 4 | 12B | 127 BPM | ||
| Melancholia II | William Basinski | F Major | 0 | 7B | 67 BPM | ||
| Hangingstones | Craven Faults | D Major | 4 | 10B | 112 BPM | ||
| Time We Have | Steve Hauschildt | A Minor | 3 | 8A | 67 BPM | ||
| Two Trains Came Through the Station at Once and It Felt Like a Hurricane | Dylan Henner | C Minor | 2 | 5A | 72 BPM | ||
| Shirley to Shirley | Felicia Atkinson | A Minor | 3 | 8A | 80 BPM | ||
| Vaporware 05 | Donato Dozzy | F Minor | 8 | 4A | 180 BPM | ||
| Atlas | Laurel Halo, Lucy Railton, James Underwood | A Minor | 2 | 8A | 126 BPM | ||
| the waiting room [zzzz] | 700 Feel | A Minor | 1 | 8A | 77 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Estrella | Vexel Mode | D♭ Major | 3 | 3B | 125 BPM | ||
| Extwistle Hall | Demdike Stare | A♭ Major | 3 | 4B | 45 BPM | ||
| Iniziare | Alessandro Cortini | B Major | 1 | 1B | 70 BPM | ||
| Fantas Resynthesized for 808 and 202 - Carlo Maria | Caterina Barbieri, Carlo Maria | G Minor | 9 | 6A | 121 BPM | ||
| Alphabet of Light | Caterina Barbieri | A Minor | 1 | 8A | 75 BPM | ||
| CC Pad | Daniel Avery, Alessandro Cortini | B♭ Major | 7 | 6B | 70 BPM | ||
| Lugere | Flora Yin-Wong | F♯ Minor | 5 | 11A | 103 BPM | ||
| Aralkum | Galya Bisengalieva | C Minor | 3 | 5A | 66 BPM |