"Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation I - Tempo della Thema" by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev had its release date on September 14, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 8 in the song's album "Tchaikovsky: Rococo Variations". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Saint Lucia. In terms of popularity, Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation I - Tempo della Thema is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation I - Tempo della Thema by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Quixote, Op. 35: VIII. Var. 5, Don Quixote's Vigil. Sehr langsam | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
| Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | F♯ Minor | 0 | 11A | 109 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
| String Quartet No. 1 in A Major: IV. Allegro risoluto | Alexander Borodin, Budapest Haydn Quartet | C Major | 1 | 8B | 111 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": II. Larghetto | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | A Major | 5 | 11B | 83 BPM | ||
| Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
| Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | F Major | 1 | 7B | 81 BPM | ||
| Piano Trio No. 2 in E-Flat Major, D. 929: III. Allegro moderato | Franz Schubert, Trio Wanderer | A♭ Major | 1 | 4B | 182 BPM | ||
| Holberg Suite, Op. 40: III. Gavotte. Allegretto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
| Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A♭ Major | 0 | 4B | 176 BPM | ||
| Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
| Ein Heldenleben, Op. 40: II. Des Helden Widersacher | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 143 BPM | ||
| Chopin: Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B Major | 1 | 1B | 76 BPM | ||
| Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
| Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
| Simple Symphony, Op. 4: Boisterous Bourree | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | D Minor | 0 | 7A | 106 BPM | ||
| Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle | C Major | 1 | 8B | 77 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Apollon musagète, K48: I. Birth of Apollo | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM |