"Always With Him" by Aaron May, David Ridley had its release date on February 16, 2024. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Always With Him's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 15 in Accused (Original Motion Picture Soundtrack) by Aaron May, David Ridley. Always With Him is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Always With Him by Aaron May, David Ridley is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preparations | Siddhartha Khosla | F Minor | 0 | 4A | 171 BPM | ||
| Murmuration | Spearfisher, Cicely Parnas | B Minor | 2 | 10A | 120 BPM | ||
| Between Jupiter and Saturn | David Gómez | F♯ Minor | 2 | 11A | 90 BPM | ||
| We Exist | Patrick Jonsson | E Minor | 3 | 9A | 89 BPM | ||
| Grace out of Her Shell | Australian Chamber Orchestra, Elena Kats-Chernin | G Major | 2 | 9B | 170 BPM | ||
| No More Goodbyes | Will Bates | F Major | 0 | 7B | 87 BPM | ||
| Gently Down The Stream | Topshe | F Major | 3 | 7B | 126 BPM | ||
| the other side | Trent Reznor and Atticus Ross | C Minor | 2 | 5A | 135 BPM | ||
| The Father | Johan Söderqvist | E Minor | 1 | 9A | 91 BPM | ||
| Sequence Four (Arr. for Orchestra by Peter Gregson) | Peter Gregson, Annabelle Traves | F Major | 3 | 7B | 106 BPM | ||
| Wedding Venue Tour | Bryce Dessner | F♯ Minor | 2 | 11A | 135 BPM | ||
| My Baby | Dara Taylor | G Major | 1 | 9B | 79 BPM | ||
| Mother | Halfdan E, USMIFKA | A Minor | 2 | 8A | 120 BPM | ||
| Eddie Breaks | Aaron May, David Ridley | D Minor | 1 | 7A | 111 BPM | ||
| Deep Fate (Dark Matter Main Titles) | Jason Hill | C Major | 6 | 8B | 124 BPM | ||
| Better the Devil | Z Berg | A Minor | 3 | 8A | 134 BPM | ||
| Hovern' engan | Lévon Minassian | G Minor | 1 | 6A | 71 BPM | ||
| Spunta lu Suli - Pt. II | Paolo Buonvino, Simona Di Gregorio | A Major | 2 | 11B | 84 BPM | ||
| Butterfly | Chris Bacon | A♭ Major | 5 | 4B | 108 BPM | ||
| Narcisso | Halfdan E, USMIFKA | A Minor | 2 | 8A | 120 BPM | ||
| Vindication Is Upon Us | Chris Benstead | F Major | 1 | 7B | 109 BPM | ||
| The Return | Rachel Portman | C Minor | 3 | 5A | 109 BPM | ||
| Doxxing | Aaron May, David Ridley | C Major | 2 | 8B | 145 BPM | ||
| Corridor of Love | jung jaeil | E♭ Minor | 7 | 2A | 132 BPM | ||
| Rebirth | Justin Hurwitz | A Major | 2 | 11B | 122 BPM |