Sachi kumar Das's ' "Nitai Pada Kamala" was released on its scheduled release date, February 11, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Nitai Pada Kamala and no other songs are present in the album, we classify this track as a single. Nitai Pada Kamala is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Nitai Pada Kamala by Sachi kumar Das having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vishwa Raksha Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Have Mara Vhala Ne | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM | ||
| Anjani Ke Lal Ho Kamaal Kayil Lanka Mein | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Vishwa Abhudaya Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Murisipotunnavu | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 8 | 11A | 95 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Gouranga Tumi More | Sachi kumar Das | C Minor | 5 | 5A | 123 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Shiv Panchakshar Stotram | Sarita Joshi | G Major | 7 | 9B | 110 BPM | ||
| Tarakmantra - Nishankh Hoi Re mana | Rushikant Mesekar | D♭ Major | 6 | 3B | 120 BPM | ||
| Shri Mahakaleshwar Aarti Traditional | Binay Pathak, Chorus | E♭ Major | 8 | 5B | 144 BPM | ||
| JAI RADHA MADHV | Nitin Devka | E♭ Minor | 4 | 2A | 152 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Santoshi Mata Mantra | Bipin Parmar | E♭ Major | 5 | 5B | 130 BPM | ||
| Palikeda Srihari | Sri Ganapathy Sachichidananda Swamiji | E Major | 6 | 12B | 170 BPM | ||
| Aaj Mara Mandiriyama Mhale | Master Rana | F♯ Major | 5 | 2B | 76 BPM | ||
| Khamma Re Bahuchar Maat - Aarti | Ami Joshi, Asif Jeriya | F Minor | 7 | 4A | 87 BPM | ||
| BRINDABAN BILASHINI RAI AMADER | Aditi Munshi | F♯ Major | 6 | 2B | 153 BPM | ||
| Sarada Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Shri Yamuna Kavacham | Hiren Khakhi | E♭ Major | 5 | 5B | 130 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Shyamasundara | Udaiyalur Kalyanaraman | F♯ Major | 8 | 2B | 138 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM |