Various World Reknowed Orchestras And Conductors's ' "Bolero" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Bolero's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bolero's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bolero by Various World Reknowed Orchestras And Conductors is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Norsk (Norwegian). Allegro Risoluto | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | G Major | 1 | 9B | 102 BPM | ||
| Anna's Theme | Nigel Clarke, Michael Csányi-Wills, Bulgarian Symphony Orchestra | C Major | 1 | 8B | 122 BPM | ||
| La Bayadere, Act III: 49. "Apotheosis, Pt. 2” | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 0 | 11B | 58 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| II. Largo | Antonio Vivaldi, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | B♭ Major | 4 | 6B | 177 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Chocolate Mint Snowflakes | Russell Nollen | D Major | 3 | 10B | 91 BPM | ||
| Lyric Pieces, Op. 68 (Version for Orchestra): No. 5, Bådnlåt - Remastered 2024 | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 99 BPM | ||
| Cefeidas : 3. Sentimiento alegre | Juan Pablo Fernández Ramos | C Minor | 1 | 5A | 80 BPM | ||
| Snow White: III. Evil Queen’s Promenade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Ballet Suite No. 2 (arr. L. Atovmyan): Waltz (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Oleg Tokathev, Dmitry Yablonsky, Russian Philharmonic Orchestra | E♭ Major | 2 | 5B | 205 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 30, Finale | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 129 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Waltz of Bees | Hanne Diamond | A♭ Major | 2 | 4B | 120 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| William Tell Overture | Various World Reknowed Orchestras And Conductors | E Major | 4 | 12B | 149 BPM | ||
| Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM |