"El Amor Brujo. Danza Ritual Del Fuego" by Orquesta Filarmónica De Conciertos De Budapest had its release date on November 1, 2008. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in El Amor Brujo - Noches De Los Jardines De España by Orquesta Filarmónica De Conciertos De Budapest. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, El Amor Brujo. Danza Ritual Del Fuego's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Amor Brujo. Danza Ritual Del Fuego by Orquesta Filarmónica De Conciertos De Budapest is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Walküre: Magic Fire Music | Richard Wagner, George Szell, Cleveland Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra, Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
| Clarinet Concerto In A Major KV 622: Adagio | Lev Markiz, Nieuw Sinfonietta Amsterdam, Wolfgang Amadeus Mozart, Lodewijk Collette, Harmen De Boer | D Major | 0 | 10B | 83 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Royal Concertgebouw Orchestra, Herman Krebbers, Kirill Kondrashin | G Major | 0 | 9B | 134 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Armin Jordan, Orchestre de Chambre de Lausanne | C Minor | 1 | 5A | 129 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Egmont, complete incidental music, Op. 84: viii. Klärchens Tod: Larghetto (The Death of Clärchen) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| Serenade for String Orchestra, Op. 20: II. Larghetto | Edward Elgar, Hamburg Symphony Orchestra, Alois Springer | G Major | 3 | 9B | 91 BPM | ||
| Strauss II, J: Kaiserwalzer, Op. 437 | Johann Strauss II, Wilhelm Furtwängler, Wiener Philharmoniker | C Major | 2 | 8B | 102 BPM | ||
| La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Moskva, Cheryomushki (Moscow, Cheryomushki) Suite, Op. 105: II. Waltz [arr. A. Cornall for orchestra] | Dmitri Shostakovich, Rundfunk-Sinfonieorchester Berlin, Steven Sloane | F Major | 4 | 7B | 145 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
| Symphony No. 2 in A Major: III. Allegro scherzando | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 175 BPM | ||
| Sinfonía Española, Op. 21 - Lalo | Waldo De Los Ríos | A Major | 6 | 11B | 175 BPM | ||
| Way of Dreams | Scottie Nash | C Major | 3 | 8B | 87 BPM | ||
| Shéhérazade, Op. 35: I. La mer et le bateau de Simbad | Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler | E Major | 0 | 12B | 56 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM |