- BPM
- 131
- Key
- B♭ Major
- Camelot
- 6B
Across The Seas by John Addison Song Details
John Addison's 'Across The Seas' had a release date set for March 29, 2011. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Across The Seas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Charge of the Light Brigade (original Motion Picture Score)". In this album, this song's track order is #9. Based on our statistics, Across The Seas's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Across The Seas by John Addison having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -11.837 dB
- Acousticness
- 78%
- Danceability
- 33%
- Energy
- 52%
- Instrumentalness
- 16%
- Liveness
- 8%
- Loudness
- 80%
- Speechiness
- 5%
- Valence
- 23%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Restaurant Interior | Original Soundtrack | A Major | 2 | 11B | 115 BPM | |
 | Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | |
 | Poor Miss Taylor | Isobel Waller-Bridge, David Schweitzer | C Major | 2 | 8B | 101 BPM | |
 | Across The Seas | John Addison | B♭ Major | 5 | 6B | 131 BPM | |
 | Homeward Bound: King Arthur's Theme (From Monty Python and the Holy Grail) | San Fernando Symphonic Assembly | F Major | 8 | 7B | 111 BPM | |
 | Terry and June | John Shakespeare | G Major | 3 | 9B | 168 BPM | |
 | John Clare's Journey: XXXIII. I Am | Terence Deadman, Phillip Bell, John Addison, Sharon Eckman, Lawrence Wallington, Simon Preece, Martin Nelson, Maida Vale Singers, Ieuan Jones, Glen Capra, Christopher Dee | A♭ Major | 0 | 4B | 128 BPM | |
 | Police Academy March | Robert Elms Folk, THE STAFF BAND OF THE NORWEGIAN ARMED FORCES | E♭ Major | 6 | 5B | 119 BPM | |
 | Il grande duello, per flauto e orchestra d’archi | Luis Bacalov, Massimo Mercelli, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | A Minor | 1 | 8A | 102 BPM | |
 | A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | |
| The Charge Of The Light Brigade | John Addison | G Minor | 4 | 6A | 85 BPM | |
 | Cutthroat Island (It’s Only Gold & End Credits) | City Light Symphony Orchestra | B♭ Major | 3 | 6B | 128 BPM | |
 | The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | F♯ Minor | 1 | 11A | 50 BPM | |
 | Hotsy-Totsy | Heinz Kiessling | F Minor | 5 | 4A | 158 BPM | |
 | Suite - From The Seven Percent Solution | John Addison | C Major | 3 | 8B | 83 BPM | |
 | Wes Anderson’s Suite: The Grand Budapest Hotel | Alexandre Desplat, Orchestre de Paris, Florentino Calvo, Giani Caserotto, Iurie Morar | G Major | 2 | 9B | 93 BPM | |
 | E.T. The Extra-Terrestrial - Flying Theme | Cinematic Symphony Orchestra | A Minor | 6 | 8A | 89 BPM | |
 | Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | |
 | Whicker's World | Graham De Wilde | D Minor | 4 | 7A | 126 BPM | |
 | Tales of the Gold Monkey | Daniel Caine Orchestra | F Major | 7 | 7B | 85 BPM | |
 | The Odd Couple Main Title | Neal Hefti | F Minor | 3 | 4A | 126 BPM | |
 | Thème Principal - From Sissi (1955) | Romy Schneider, Anton Profes | E Major | 4 | 12B | 121 BPM | |
 | Wallace & Gromit | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | C Major | 6 | 8B | 120 BPM | |
 | Pineapple Rag / Gladiolus Rag - From "The Sting" Soundtrack | Marvin Hamlisch | B♭ Major | 5 | 6B | 177 BPM | |
 | Chitty Chitty Bang Bang: Overture | Richard M. Sherman, Robert B. Sherman, Chitty Chitty Bang Bang Orchestra, Original Broadway Cast of Chitty Chitty Bang Bang, Robert Scott | F Major | 3 | 7B | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records