"Cinema Català" by Manuel Valls, Anselm Clavé, Ramon Muntaner, Cobla La Principal De La Bisbal, Orquestra de Cambra de l'Empordà, La Simfónica de Cobla i Corda, Francesc Cassú, Carles Coll had its release date on July 31, 2010. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Orquestra de Cambra de l'Empordà, Cobla La Principal De La Bisbal, La Simfónica de Cobla i Corda, Carles Coll, Francesc Cassú's "La Simfònica De Cobla i Corda - Amb Catalunya Al Cor" album is number 8 out of 12. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Cinema Català's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cinema Català by Manuel Valls, Anselm Clavé, Ramon Muntaner, Cobla La Principal De La Bisbal, Orquestra de Cambra de l'Empordà, La Simfónica de Cobla i Corda, Francesc Cassú, Carles Coll to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minué cantado | Fatma Said, David Bergmüller | C Major | 1 | 8B | 116 BPM | ||
| Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
| Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
| Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) | Heitor Villa-Lobos, Liat Cohen, Natalie Dessay | A Minor | 0 | 8A | 70 BPM | ||
| Cantade: Usurpator tiranno (Arr. For jazz ensemble) | Roberta Mameli, La Venexiana, Claudio Cavina | G Minor | 1 | 6A | 68 BPM | ||
| Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
| Zingarelli: Salve Regina: V. O clemens, o pia | Niccolò Antonio Zingarelli, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra, NFM Choir | B♭ Major | 1 | 6B | 120 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, David Hill, Janice Watson, Bournemouth Symphony Orchestra | D Major | 0 | 10B | 81 BPM | ||
| Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Janet Baker, Gerald Moore | F Major | 1 | 7B | 134 BPM | ||
| Gloria in D Major, RV 589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Julia Lezhneva, I Barocchisti, Diego Fasolis | B Major | 1 | 1B | 139 BPM | ||
| この道 | Kosaku Yamada, Yumiko Samejima | E Major | 1 | 12B | 135 BPM | ||
| Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
| Giulio Cesare in Egitto, HWV 17: Son nata a lagrimar - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent, Marion Tassou | E Minor | 1 | 9A | 71 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
| Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 141 BPM | ||
| Rossi: Ai sospiri, al dolore | Luigi Rossi, Tragicomedia | G Minor | 0 | 6A | 65 BPM | ||
| Lamento della Ninfa, SV 163: Amor, amor (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) | Claudio Monteverdi, Regula Mühlemann, CHAARTS Chamber Artists | A♭ Major | 2 | 4B | 61 BPM | ||
| 朧月夜 | 岡野貞一, Yumiko Samejima | D Major | 1 | 10B | 130 BPM | ||
| Strozzi: Che si può fare? (Arr. Pluhar) | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Céline Scheen | D Minor | 2 | 7A | 98 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Che si può fare? | Barbara Strozzi, Simone Kermes, Enrico Casazza | E Minor | 1 | 9A | 112 BPM | ||
| Kosma: Les feuilles mortes | Joseph Kosma, Philippe Jaroussky, Thibaut García | D Minor | 0 | 7A | 180 BPM | ||
| Canciones Sefarditas: Irme Quiero, La Mi Mare | Manuel Valls, CHRISTINE MOORE VASSALLO | D Minor | 2 | 7A | 105 BPM |