"Seven Swans A Swimming" by John Lenehan had its release date on February 8, 2011. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Quiet Room, Vol. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Seven Swans A Swimming is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seven Swans A Swimming by John Lenehan having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Sonatina in G Major for Violin & Piano, Op. 100 | Antonín Dvořák, Atsuko Sahara, John Lenehan | F Minor | 3 | 4A | 172 BPM | ||
| Alto Saxophone Sonata: I. — | Phil Woods, John Harle, John Lenehan | F Major | 2 | 7B | 83 BPM | ||
| Reaching Out | John Lenehan | G Major | 1 | 9B | 130 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| III. Aria | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | E Minor | 0 | 9A | 66 BPM | ||
| Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
| Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Joy | John Lenehan | G Major | 0 | 9B | 93 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Piano Concerto in E-Flat Major: I. In tempo moderato | John Ireland, John Lenehan, Royal Liverpool Philharmonic Orchestra, John Wilson | D♭ Major | 2 | 3B | 84 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Sonatina in G Major for Violin & Piano, Op. 100 | Antonín Dvořák, Atsuko Sahara, John Lenehan | A Major | 1 | 11B | 133 BPM | ||
| Tico-Tico no Fuba (Arr. Johnson) | Emma Johnson, John Lenehan, Paul Clarvis | G Major | 1 | 9B | 110 BPM | ||
| Jackie's Song (Romanza) | Julian Lloyd Webber, Esther Abrami, Vienna Radio Symphony Orchestra | A Major | 2 | 11B | 84 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| Wallfisch: Lamorma | Yuja Wang, Benjamin Wallfisch | G Major | 1 | 9B | 100 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Consolation No. 3, S. 172/3 (Arr. Swert for Cello & Piano) | Franz Liszt, Sheku Kanneh-Mason, James Baillieu | E Major | 1 | 12B | 121 BPM | ||
| Santa Lucia | Carducci String Quartet, Thomas Hewitt Jones | E♭ Major | 1 | 5B | 79 BPM | ||
| The Almond Tree | John Ireland, John Lenehan | G Major | 0 | 9B | 70 BPM |