"Un Lauro mi deffese'all'hor dal cielo" by Cipriano de Rore, Ensemble Il Ballo, Véronique Bourin, Leonardo Loredo de Sá had its release date on October 28, 2022. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cipriano de Rore, Ensemble Il Ballo, Leonardo Loredo de Sá, Véronique Bourin's "Il divino Cipriano de Rore" album is number 21 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Un Lauro mi deffese'all'hor dal cielo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Un Lauro mi deffese'all'hor dal cielo by Cipriano de Rore, Ensemble Il Ballo, Véronique Bourin, Leonardo Loredo de Sá to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anchor che col partire | Cipriano de Rore, La Pedrina | A Minor | 1 | 8A | 79 BPM | ||
| In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | ||
| The First Tuning: III. Coranto | Alfonso Ferrabosco, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Almaine (no.13) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | D♭ Minor | 0 | 12A | 117 BPM | ||
| Qui la dira | Antonio de Cabezón, Clémence Niclas, Manon Papasergio, Angélique Mauillon, Yoann Moulin | F Major | 1 | 7B | 76 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Rest, sweet Nymphs | Francis Pilkington, Zefiro Torna, Lore Binon, Jurgen De bruyn | G Minor | 0 | 6A | 87 BPM | ||
| Go, Perjured Man | John Blow, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Guerrero: Sabes lo que heziste | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Funeral Sentences: Man That Born of a Woman, Z. 27 – In the Midst of Life, Z. 17a – Thou Knowest, Lord, Z. 58c | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 77 BPM | ||
| Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
| Come la notte ogni fiammella è viva | Cipriano de Rore, Graindelavoix, Lluís Coll i Trulls, Floris de Rycker | E Major | 2 | 12B | 129 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Ludi Musici: Courant Dolorosa | Samuel Scheidt, Jordi Savall | A Major | 1 | 11B | 48 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Adam Lay Ybounden | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| The Lessons for Solo Lyra Viol (1609): Pauin (no.15) | Alfonso Ferrabosco the Younger, Paolo Pandolfo | A♭ Major | 1 | 4B | 166 BPM | ||
| Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM |